Page:Cyclopedia of painters and paintings (IA cyclopediaofpain02cham).pdf/181

 in House of Commons (1877); War Dispatch at Hôtel de Ville, News from the Front (1878); No Surrender, Musical Story by Chopin (1879); Last Days of Edward VI. (1880); Montrose at Kilsyth (1881); Jacobite Proclamation (1882); Consuelo, Trophies of Victory (1883).—Art Journal (1881), 95.

GOYA Y LUCIENTES, FRANCISCO JOSÉ DE, born at Fuendetodos, Aragon, March 30, 1746, died at Bordeaux, April 15, 1828. Spanish school; history, genre, and portrait painter, pupil for five years of Lujan Martinez at Saragossa; spent several years in Rome, painting little, but making a careful study of the great pictures there. In 1772 he took the second prize at the Academy of Parma, and three years later returned to Madrid and painted many genre pictures which soon made him popular. In 1780 he became a member of the Academy of San Fernando, in 1795 director of the same, and painter in ordinary to Charles IV., an honour continued under Ferdinand VII. Goya painted also religious compositions and portraits, but he is best known as a satirist and caricaturist of very remarkable, though eccentric, genius, as his many etchings and sketches abundantly show. He has been called the Hogarth of Spain. Works: Equestrian Portrait of Charles IV., do. of Queen Maria Luisa, Charles IV. on foot, Queen Maria Luisa do., Charles IV. and his Family, Episode in French Invasion of 1808, Scenes of May 3, 1808, thirteen others, Madrid Museum; Equestrian Portrait of Ferdinand VII., do. of Prince of the Peace (Godoy), Madhouse, Bull-Fight, Gallant Dressed, Gallant Nude, and others, Academia San Fernando; Crucifixion, Museo de Fomento; St. Francis Preaching, S. Francisco el Grande, Madrid; Treason of Judas, Toledo Cathedral; Sts. Justina and Rufina, Seville Cathedral; St. Francis de Borja's Farewell to his Family, Valencia Cathedral; Portraits (2), Valencia Museum; do. (2), Louvre; Frescos in Ermita de San Antonio de Florida, Madrid, and Madonna del Pilar, Saragossa.—Stirling, iii. 1260; Viardot, 305; Ch. Blanc, École espagnole; Gaz. des B. Arts (1867), xxii. 198; (1868), xxiv. 169, 385; (1875), xii. 506; (1876), xiii. 336; (1876), xiv. 500; La Ilustracion (1882), i. 371; Madrazo, 404; Portfolio (1879), 38, 67, 99; L'Art (1877), ix. 25; Zeitschr. f. b. K., x. 193; xx. 254.

GOYEN, JAN VAN, born at Leyden, Jan. 13, 1596, died at The Hague in 1656. Dutch school; became pupil of Esaias van de Velde in Haarlem about 1616, after having studied under various artists of no great repute, and made a tour through France. In 1618 settled in Leyden and married; in 1631 removed to The Hague, where in 1640 he was president of the guild. The date 1657, on a picture which he left unfinished at the time of his death, was added by his son-in-law, Jan Steen, who painted in the figures. Works: View of Nymwegen, Grosvenor Gallery, London; River Views (2), Marine, Winter Scene, two others, Fitzwilliam Museum, Cambridge; River Scene (1644), Marine View, Canal in Holland (1647), River in Holland (1653), Banks of Canal (1656), Louvre, Paris; Landscapes (8), Rothan Collection, ib.; River Scene, Lille Museum; View of Dordrecht (1644),	Brussels Museum; River Scene (1645),	The Valkenhof at Nymwegen, View on the Meuse, Amsterdam Museum; River in Holland, Rotterdam Museum; Halt of Travellers (Sal. Ruisdael?), Darmstadt Museum; Landscapes (4), Cassel Gallery; do. (7), Augsburg Gallery; do. (3, 1629, 1640,