Page:Cyclopedia of painters and paintings (IA cyclopediaofpain02cham).pdf/177

 of Charles I., and then in possession of Mr. Edward Gray, London; but Campori is of opinion that it perished in the sack of Mantua in 1630.—Müntz, 389; Waagen, Treasures, ii. 476; Passavant, ii. 96; Campori, Gaz. des B. Arts (1872), ii. 357.

GONZAGA, ISABELLA. See Este Gonzaga; Belle Ferronièrre.

GONZALES, BARTOLOMÉ, born in Valladolid in 1564, died in Madrid in 1627. Spanish school; pupil of Patricio Caxes in Madrid; employed by Philip III. at the Pardo in 1608, and afterwards in various works in Burgos, Valladolid, Lerma, and the Escorial; succeeded Fabricio Castello as royal painter in 1617. Painted many portraits of the queen and the infantas, and devotional subjects for convents. Works: Portraits of Queen Margaret of Austria, and of the Infanta Clara Eugenia, Madrid Museum; Interior with Young Scholar and Wife, Family Group in Painter's Sitting Room, Cassel Gallery; Portrait of Infanta Margareta Francesca, Germanic Museum, Nuremberg.—Stirling, i. 431; Madrazo.

GONZALES, JUAN ANTONIO, born at Chiclana, Spain; contemporary. Genre painter, pupil of Pils and of Rodriguez. Medal, Paris, 3d class, 1876. Works: Sancho Panza relating the Adventures of Don Quixote (1869); Gallery of Armour—Museum of Cluny, Before the Evening Party (1870); After the Ball (1872); Coquetry, Young Woman and Cat (1873); Persuasion (1874); Music Lesson, Grandpapa's Portrait (1875); Return from Baptism (1876); Wedding Presents (1877); At the Impresario's (1879); Romance (1880); Grandparents' Visit (1882).—La Ilustracion (1877), ii. 241; (1883), ii. 179.

GONZALES, PEDRO RUIZ, born in Madrid in 1633, died there in 1709. Spanish school; pupil of Escalante and of Carreño; painted chiefly religious compositions, but also watercolour and crayon pieces.—Stirling, iii. 1028.

GONZALVO Y PEREZ, PABLO; contemporary. Architecture painter, in Saragossa; has acquired reputation especially since the Philadelphia Exhibition of 1876. Medal, Paris, 3d class, 1867. Works: Cathedral de lo Seo in Saragossa, Chapels and Mausoleum of Ferdinand and Isabella in Granada Cathedral, Chapel in Avila Cathedral, Sacristy in do. (1876); View of Canal Grande, Interior of S. Marco, Venice.—Müller, 212.

GOOD, THOMAS SWORD, born at Berwick-on-Tweed, Dec. 4, 1789, died there, April 15, 1872. Genre painter. Bred a house-painter, then studied Wilkie's style, and in 1820 sent his picture, A Scotch Shepherd, to the Royal Academy, where he exhibited for fourteen years. Went to London to reside in 1822, but in 1833 inherited a fortune and gave up painting. Works: Scotch Shepherd (1820); Music, Two Old Soldiers, Northumbrian Piper, Rummaging an Old Wardrobe; Practice (1823); Idlers (1829); The Truant (1830); Medicine (1831); Industrious Mother; Merry Cottagers; Smugglers Resting; Fishermen (1832), No News, The Newspaper, Study of a Boy, National Gallery, London.—Redgrave; Cat. Nat. Gal.

GOODALL, FREDERICK, born in London, Sept. 17, 1822. Genre painter in oil and watercolour, son and pupil of Edward Goodall, engraver; won silver medal of Society of Arts for his first oil picture, Finding of Dead Body of a Miner by Torchlight; first work exhibited at Royal Academy, French Soldiers playing Cards (1839); elected an A.R.A. in 1852, and R.A. in 1863. Has sketched in Ireland, France, Italy, and Egypt. Works: Tired Soldier (1842), Village Holiday (1847), National Gallery, London; Hunt the Slipper (1849); Woodman's House (1850); Raising the Maypole (1851); Last Load (1852); Cranmer at the Traitor's Gate (1856); Summer