Page:Cyclopedia of painters and paintings (IA cyclopediaofpain02cham).pdf/173

 Works: Young Nubian Woman, Diana in the Bath (1838); Vision of St. John (1840); Lost Illusions (1843), W. T. Walters, Baltimore; Departure of the Apostles (1845); Nymph Echo; Dance of the Bacchantes (1849); Venus on a Ram (1855); Death of Major Duval, Battle of Lake Leman (1858), Portraits of General Jomini and of M. W. Haldimand, Lausanne Museum; Diana Hunting, Nausicaä, Daphnis and Chloë, Virgin with Christ and St. John, Joan of Arc in the Forest, Ruth and Boaz, Deluge, Return of Prodigal Son (all before 1863); Hercules and Omphale (1863); Minerva and the Graces, Sappho; Pentheus pursued by the Mainades, The Charmers, Basle Museum; Young Roman's Bath (1868), C. S. Smith, New York.—Gaz. des B. Arts (1875), xi. 233, 404; Larousse, viii. 1301; Meyer, Gesch., 393; Clément, Life (1858).

GLIEMANN, PHILIPP ALBERT, born at Wolfenbüttel, Brunswick, Dec. 26, 1822, died in Dresden, April 25, 1872. Portrait painter, pupil of the Dresden Academy under Julius Hübner. Was for many years the favourite portrait painter in Dresden. Works: Jew's Head, Dresden Gallery; Portrait of King John of Saxony, Leipsic University.—Allgem. d. Biogr., ix. 236.

GLINK, FRANZ XAVIER, born at Burgau, Bavaria, in 1795, died in Munich, Feb. 22, 1873. History painter, pupil of the Munich Academy under Peter von Langer; went in 1824 to Rome, and after his return painted altarpieces and subjects from German epics and from Tasso; then turned again entirely to religious art. Works: Flight into Egypt; Mary's Visit to Elizabeth; Madonna; Christ as a Gardener; St. Cecilia; Christ in Glory; Sermon on the Mount; Cycle from Wilkina Saga and the Niebelungen; Scenes from Tasso; Story of Antharis.—Allgem. d. Biogr., ix. 237.

GLINZER, KARL, born at Breitenau, near Cassel, in 1802, died at Cassel in 1878. History and landscape painter, pupil of Munich Academy, and, in 1825, of Düsseldorf Academy under Schadow, then of Gros in Paris; visited Rome and Naples in 1833. Works: Susanna at the Bath (1837), Kunsthalle, Hamburg; Joseph's Bloody Coat (1838); Good Samaritan; Slave Dealer (1840); Pan and Syrinx (1852).

GLORIA, LA, Titian, Madrid Museum; canvas, H. 11 ft. 4 in. × 7 ft. 10 in.; signed. High in the heavens, in a halo of light, the Father and the Son are seated, with crystal orbs and sceptres in their hands; around them countless cherubim and seraphim fading away in a brilliant mist; lower down in the clouds the Virgin stands interceding for sinners, at whose head Charles V., to the right, with the crown at his feet, is kneeling; behind him is the Empress; lower down Mary of Hungary, Philip and his sister, all in winding-sheets, praying; still lower are Job (portrait of Vargas), Moses, Noah, and the Magdalen, and to the left in ascending lines the Evangelists and Prophets. Painted in 1554 for Charles V., who ordered it as a record of his intention to quit the throne. On his abdication (1555), he took it, with other pictures, to the Monastery of Yuste, where it was hung at the foot of his bed. Charles ordered the picture, which he called the Last Judgment, to be placed after his death on the high altar of the Monastery, but Philip removed it to the Escorial, from which it passed to the Museum. Sometimes called also the Trinity. Engraved by Cort; in reverse by Hondius.—Vasari, ed. Mil., vii. 451; C. & C., Titian, ii. 232; Gachard, Retraite et Mort de Charles V. (Brussels, 1855), ii. 90; Revue Universelle des Arts, iii. 227.

GLOVACKI, JOHANN NEPOMUK, born at Cracow in 1802, died there, July 28, 1847. Landscape and portrait painter, pupil of Cracow Academy, then studied in Prague