Page:Cyclopedia of painters and paintings (IA cyclopediaofpain02cham).pdf/171

 *Changer (1857); Address of the Emperor on the Distribution of Eagles (ordered by State in 1855); Around the Bowl (1861), Anvers Museum; Misery (1861); Dangerous Reefs (1864), Luxembourg Museum; Slavery (1865), Narbonne Museum; St. Geneviève stopping Attila, St. Geneviève saving Lives of Prisoners, Devotion to St. Geneviève (1865, frescos), St. Gervais, Paris; Monna Belcolore (1866); Posterity addressing Joan of Arc (1867); Blood of a Martyr (1868); Caligula's Jest (1869); Insulting Christ (1869), Ministry of Fine Arts, Paris; Jesus the Saviour, Psyche Abandoned (1870); Spectacle of Human Folly (1872); Path in Rosebois (1874); Two Neighbors (1879); Psyche (1880); First Steps (1881); Foolish Virgins, Subject from Musæus (1882); Vote of Gaspard Duchâtel (1883); Around the Truth, Hours of Life (1884).—Bellier de la Chavignerie, i. 665; Claretie, Peintres, etc. (1874), 199; Larousse; Meyer, Gesch., 403; Müller, 209.

GLAIZE, (PIERRE PAUL) LÉON, born in Paris, Feb. 3, 1842. History and genre painter, son and pupil of Auguste, and pupil of Gérôme; received honourable mention in 1859 for his Treason of Delilah. Medals: 1864, 1866, and 1868; 1st class, 1878; L. of Honour, 1877. Works: Faun and Nymphs (1861), Montauban Museum; Samson taken by the Philistines (1861); Æsop at House of Xanthus (1863), Dijon Museum; Samson breaking his Bonds (1864), Mulhouse Museum; Christ and the Ten Lepers (1866), Church of White Friars, Paris; Penelope's Nights (1866), Brussels Museum; Minerva's Shield (1867), Montauban Museum; Young Girl facing Death (1869); The First Duel (1870), Arles Museum; Death of Saint Louis (1872), Church of St. Louis d'Antin; Lucia, Bielle the Bouquet-Seller (1874); Conspiracy in Early Rome (1875), Luxembourg Museum; Orpheus (1876); Fugitives (1877); portrait of J. L. Gérôme (1879); The Awakening (1881); Feast in Honour of Theseus (1885).—Bellier de la Chavignerie, i. 665; Müller, 209.

GLANTSCHNIGG, ULRICH, born at Hall, Tyrol, in 1661, died at Bozen in 1722. German school; history painter, pupil of Deutenhofer, then in Venice of Heinrich Frisch and Carlotto; travelled in Italy, Switzerland, visited Munich, and settled in Bozen in 1686. Painted also attractive genre pieces, with figures in Tyrolese costume, found in many private collections. Works: Legend of St. Francis of Assisi (1712), Franciscan Church, Bozen; The Three Magi, St. Catharine, Parish Church, ib.; Christ feeding the Five Thousand, City Hall, ib. His son and pupil, Josef Anton (1695-1750), was also an able and versatile artist, who worked for many years at Würzburg.—Wurzbach, v. 205.

GLASS, JAMES W., born about 1825, died in 1857. Historical genre painter, pupil of Huntington in New York in 1845. Lived and painted in London from 1847 to 1856. His Last Return from Duty, an equestrian portrait of the Duke of Wellington, painted in England, was bought by Lord Ellesmere, and repeated for the Queen. Works: Free Companion; Puritan and Cavalier; Edge Hill; Battle of Naseby, Wright Collection; Royal Standard.—Tuckerman, 421.

GLAUBER, JAN, called Polydor, born at Utrecht in 1646, died at Amsterdam or Schoonhoven in 1726. Dutch school; landscape painter, pupil of Berchem. After spending a year (1671) in Paris with the flower-painter, Picard, and two years in Lyons with Arij van der Kabel, he went to Rome, in company with his brother, Jan Godlieb, and his sister, Diana, also a skilful artist, and was received under the name of Polydor into the society of Dutch and German artists there, called the Schilderbent.