Page:Cyclopedia of painters and paintings (IA cyclopediaofpain02cham).pdf/133

 to Vasari, with Signorelli and Perugino. His later pictures, as, for instance, a Madonna with Saints and Angels, in the Collegiate church at Castiglione Fiorentino, display little power, though they show that he had learned to imitate Signorelli.—C. & C., Italy, iii. 36; Vasari, ed. Le Mon., v. 44; Marchesi, 2d ed., i. 203.

GATTI, BERNARDO (Bernardino), born at Cremona about 1490 (?), died in 1575. Lombard school; called Il Sojaro or Sogliaro (the cooper) from his father's trade. Went early to Parma to study under Correggio, and became his ablest pupil. He left numerous works in Parma, Piacenza, and Cremona. In S. M. di Campagna, Piacenza, he painted a fresco, St. George and the Dragon, in competition with Pordenone's St. Augustine, and on the death of that painter was selected to finish his frescos of the Life of the Madonna, in the tribune of the church. Lanzi praises his Miracle of the Loaves and Fishes, in the refectory of the Padri Lateranensi, Cremona; it is dated 1552. He afterwards (about 1560) painted the cupola in the Madonna della Steccata, Parma. His Assumption of the Virgin, in the Cathedral of Cremona, his last work, is said to have been painted with his left hand, his right having been paralyzed. An Ecce Homo, and a Crucifixion, are in the Naples Museum.—Vasari, ed. Mil., vi. 493; Lanzi, ii. 400; Ch. Blanc, École lombarde; Vidoni, Pittura Cremonese; Burckhardt, 701, 738; Lavice, 206; Lanzi (Roscoe), ii. 400, 430.

GATTI, GERVASIO, Lombard school (1578-1631). Nephew and pupil of Bernardo Gatti, from whom he inherited his surname of Il Sojaro. Studied also works of Correggio, and painted some pictures with much success; but he had a deplorable facility of execution, and his works are very unequal. Lanzi conjectures that Uriel Gatti, also called Il Sojaro, was his brother.—Lanzi, ii. 431; Ch. Blanc, École lombarde.

GAUCHEREL, LÉON, born in Paris, May 20, 1816. Landscape and architecture painter, more noted as an engraver and etcher; pupil of Viollet-le-Duc, with whom he visited Italy and Sicily. Medals: 3d class, 1853; 2d class, 1855, 1859, 1861, 1863; L. of Honour, 1864. Works: Tintoretto's House in Venice (1874); View of Saintes; Evening at Arromanches; Banks of the Adour at Sunset (1875); St. Peter's, Rome; Torcello, near Venice (1876); Cliffs of Saint-Jouin (1877, 1879); The Little Mount at Port Navalo (1879); Gorge of Arnochat (1871).—Bellier de la Chavignerie, i. 618; Meyer, Conv. Lex., xvii. 367; Müller, 195.

GAUDENZIO MILANESE. See Ferrari, Gaudenzio.

GAUDIN, Fray LUIS PASCUAL, born at Villafranca, Catalonia, in 1566, died at the Chartreuse of Scala Dei in 1621. Spanish school. Became a Carthusian monk in 1595; adorned many chambers in his monastery, also painted for the Grand Chartreuse in Lorraine, for the Chartreuse of Seville, and a Last Supper and other works for that of Portacœli (Scala Dei), near Valencia.—Stirling, i. 293.

GAUERMANN, FRIEDRICH, born at Miesenbach, Nether Austria, Sept. 20, 1807, died in Vienna, July 7, 1862. Animal painter, son and pupil of Jakob G., but formed himself chiefly by copying old masters in the Vienna galleries and studying nature during his travels in 1825-44. Member of Munich Academy in 1836. He left 1,034 oil-paintings, 569 drawings, and 15 unfinished pictures. Works: Resting from Labour in the Fields (1829); Husbandman ploughing (1834), Vienna Museum; Wolves and Bears, Rocky View with Bears (1831); Vultures and Stag, Bears with their Prey (1832); Chase, Rural Smithy, Boar attacked by Wolves (1834); Stormy Lake, Wolves and Stags (1835); Harvest Scene, Wild Boars (1836); Dying Stag and Eagle (1837); Cattle Market (1838); Wolves on High Rock, Harvest Wagon in Storm, Embarking of the Herd (1839); Hunting Scene, The Passeyer