Page:Cyclopedia of painters and paintings (IA cyclopediaofpain02cham).pdf/130

 at Portsmouth until 1814. He exhibited his first marine in 1816, became painter to the Duke of Angoulême in 1817, and in 1833 director of the Museum of Rouen. Medals in 1819 and 1855; L. of Honour, 1852. Works: Tower of London, Three-*decker cast on the Rocks, A Storm, Roadstead with Vessels (1819); View of the Scheldt (1833), Douai Museum; Battle of Augusta, 1676 (1836), Battle of Navarino, Napoleon's Return from Elba, Versailles Museum; View of Sidon at Sunset, Boulogne Museum; Capture of the Kent by the Corsair Confiance (1836), La Rochelle Museum; Cod-Fishing on Banks of Newfoundland (1839), Rouen Museum; Frigate Virginie attacking English Squadron, Rochefort Museum; Incident in Battle of Navarino (1853), Nantes Museum; Porpoise-Fishing, Cherbourg Museum; View of the Furnes Canal (1855), Marseilles Museum.—Bellier de la Chavignerie, i. 607; Larousse; Lejeune, Guide, iii. 105; Art Journal (1858), 24.

GARNIER, ÉTIENNE BARTHÉLEMY, born in Paris, Aug. 24, 1759, died Nov. 16, 1849. French school; history and portrait painter, pupil of Durameau, Doyen, and Vien, studied afterwards in Rome; painted scenes from Greek and Roman history and mythology, in the shallow theatrical pathos of his time, but with skill and effective colouring. Member of Institute in 1816; L. of Honour, 1828. Works: Nebuchadnezzar causing the Children of Zedekiah to be Killed (1787), Mans Museum; Desolation of Priam's Family (1800), ordered by the Directory; Roman Charity, Diana appearing to Hercules (1801); Napoleon (1808); Burial of Dagobert (1814), Sacristy of St. Denis; Eponina and Sabinus (1814), Angers Museum; Procession of St. Charles Borromeo during the Plague at Milan (1827), Church of St. Germain; St. Louis arbitrating between the King of England and his Barons (1827); Reception of the Duke of Angoulême at Chartres on his Return from Spain (1831); Entry of Duke and Duchess of Angoulême into Chartres, 1823 (1827), Chartres Museum; Portrait of Cardinal Maury (1838), Avignon Museum; Marriage Ceremony of Napoleon and Marie Louise (1846), Versailles Museum.—Bellier de la Chavignerie, i. 610; Larousse; Lejeune, Guide, iii. 105.

GARNIER, JULES ARSÈNE, born in Paris, Jan. 22, 1847. Genre painter, studied first in Toulouse, then pupil of Gérôme in Paris; travelled in Holland, Spain, and Morocco, paints mediæval subjects with extreme archæological accuracy. Works: The Bather, Mlle. de Sombreuil drinking a Glass of Blood (1869); Adam's Dream, Jus Primæ Noctis (1872); Vassals' Taxes Débris (1873); Le Roi s'amuse (1874); Execution in 16th Century, Nude Female Figure (1875); Punishment of Adultery in Middle Ages (1876); Stranded Goods, The Favourite (1877); Liberator of the Territory (1878); Village Festival, Temptation (1879); Rabelais, the Parson of Meudon (1880); Distribution of Standards, July 14, 1880 (1881); Reveil (1882); Truth (1883); Jolly Drinkers (after Rabelais's Gargantua, 1884).—Müller, 193; Meyer, Conv. Lex., xviii. 381.

GAROFALO, IL, born in Ferrara in 1481, died there, Sept. 6, 1559. Lombard-Ferrarese school. Real name Benvenuto di Piero Tisi, but called Garofalo (Gilliflower) from his use of that flower as a device. Pupil of Domenico Panetti, of Niccolò Soriani, and of Boccacini, from whose studio he ran away to Rome (1499) and studied about a year under Giovanni Barrini. In 1502 he was in Mantua, where he must have remained four years if, as Vasari says, he studied with Lorenzo Costa, who entered the service of the Gonzagas in 1506. In 1508 he went again to Rome and became intimate with Raphael. Later he worked at Ferrara for Duke Alfonso, in whose palace (Scrofa Calcagnini) he decorated a hall with mythological subjects. Other pictures in Ferrara: Old and New Testament, Adoration of the Magi (1537), Christ in the Garden, Massacre of the Innocents, Madonna del Pilastro, Ma-*