Page:Cyclopedia of painters and paintings (IA cyclopediaofpain02cham).pdf/129

 transferred to canvas, in Modena Gallery. Engraved by Fr. Van der Steen; Jos. Eissner.—Meyer, Correggio, 341, 492; Künst. Lex., i. 438; Gal. de Vienne, i. Pl. 18.

By Eustache Lesueur, Louvre, Paris; canvas, H. 4 ft. 2 in. × 3 ft. 7 in. The eagle bears aloft the young prince, whose attention is directed earnestly to the earth, seen below. Painted for the hôtel of President Lambert. Collection of Louis XVI. Engraved by Beauvais.—Landon, Musée, vi. 17; Filhol.

By Rembrandt, Dresden Gallery; canvas, H. 5 ft. 9 in. × 4 ft. 2 in.; signed, dated 1635. Ganymede borne to Olympus by an eagle. Acquired in 1751. Engraved by C. G. Schultze; Cardon.—Vosmaer, 442.

GARBO, RAFFAELLINO DEL, born in Florence in 1466, died there in 1524. Florentine school. Real name Capponi, but commonly called del Garbo (the Graceful). Pupil of Filippino Lippi, with whom he remained until about 1490. He was a weak follower of his master's style. He appears to best advantage in his Madonna with Angels; Madonna with Saints and Angels; and Madonna with Angels, Cherubs, and Saints, Berlin Museum. The first-named group is almost Raphaelesque in its conception. Among other examples worthy of note are: Madonna with Saints, Dresden Gallery; Coronation of the Virgin, Louvre; Resurrection, Florence Academy.—C. & C., Italy, iii. 415; Ch. Blanc, École florentine; Lübke, Gesch. ital. Mal., i. 375; Vasari, ed. Le Mon., vii. 190; ed. Mil., iv. 233.

GARCIA HISPALETO, Don MANUEL, born in Seville; contemporary. History and genre painter, pupil of Seville Academy; studied later in Rome. Works: Burial of St. Chrysostom (1864); Apparition of St. Agnes (1867); Starting for the Bull-Fight (1871).

GARCIA Y MARTINEZ, Don JUAN, born at Calatayud, Saragossa; contemporary. History painter, pupil of Madrid Academy. Works: Raising of Lazarus (1856), Museum de la Trinidad, Madrid; The Lovers of Teruel (1859); Death of King Don Sancho; Death of Poet Macias; Liberation of Francis I.; Charles II. as a Sorcerer (1876); Procession of Our Lady (1881); Penitent (1884).

GARDNER, ELIZABETH JANE, born at Exeter, N. H.; contemporary. Figure painter, pupil of H. Merle, Lefebvre, and Bouguereau in Paris. Exhibits at National Academy, New York, and Paris Salon. Honourable mention, Paris Salon, 1879. Studio in Paris. Works: Cinderella, C. Crocker, San Francisco; Cornelia and her Jewels (1872); Corinne (1874); Sorceress (1875); Fortune-Teller (1876); Ruth and Naomi (T. Wigglesworth, Boston), Moses in the Bulrushes (1878); Maud Muller (1879); Priscilla, Water's Edge (1881); Daphnis and Chloë (1882); Captive (1883); Portraits, J. H. Stebbins, New York; Improvised Cup (1884), Corner of the Farm (1885), Knœdler & Co., New York.—Portfolio (1879), 36.

GAREIS, ANTON, born in Prague in 1837. Genre and portrait painter, pupil of his father and of Prague Academy under Engerth; visited Dresden, Vienna, and Hungary. Works: Twelfth Night (1862); Kirmess (1863); Tavern Scene (1864); Hungarian Gypsies Playing, Sunday Music in Croatia (1868); Child's Play, Four Cartoons to "As you Like It."—Müller, 192.

GARNERAY, AMBROISE LOUIS, born in Paris, Feb. 19, 1783, died there, Sept. 11, 1857. French school; marine painter, pupil of his father, Jean François (1755-1837), portrait and genre painter, and scholar of David. Love of adventure led him in 1796 to India, where he took part in several sea-fights, and was taken prisoner in 1806 by the English, who retained him in captivity