Page:Cyclopedia of painters and paintings (IA cyclopediaofpain02cham).pdf/118

 *troclus, Hercules and Omphale; St. Magdalen, New Pinakothek, Munich; Venus Anadyomene; Portrait of Count Ludolff, Brunswick Museum; do. of Nelson (1800), National Portrait Gallery, London.—Allgem. d. Biogr., viii. 177; Andresen, ii. 89; Brockhaus, vii. 398; Wurzbach, v. 1.

FUGITIVES, Léon Glaize; private gallery. People are escaping from Athens during a siege by being let down from the walls at night by means of ropes. Several groups are represented suspended in mid-*air, with a shadowy abyss below, and the city walls, lighted by the moon-beams, behind them. Salon, 1877.

FÜHRICH, JOSEF, Ritter VON, born at Kratzau, Bohemia, Feb. 9, 1800, died in Vienna, March 13, 1876. German school; history painter, pupil of Prague Academy under Bergler, went in 1826 to Rome, where he joined the German Pre-Raphaelites, and assisted Overbeck in painting the frescos in the Villa Massimi. Called to Vienna in 1834 as custodian of the Academy Gallery, he was appointed professor at the Academy in 1841. In 1854-61 he was occupied in painting frescos in the Altlerchenfeld Church, a monumental work, for which he was knighted and decorated with the order of the Iron Crown. Gold medal in 1841, member of Munich and Berlin Academies; Commander of Order of Francis Joseph in 1872. Works: Death of Otto von Wittelsbach (1817); St. Ivan found by Duke Borivoj (1817); Christ on his Way to Mount of Olives; Joshua before Jericho; The Jews Mourning; St. Adelheid and Francis of Assisi; Incarnation; Boaz and Ruth; St. Gudule; St. Filomena; Mary and Joseph on Journey to Bethlehem; Christ in Glory; Christ asleep in the Ship during Storm; Moses receiving Commandments from God, Apparition of Fighting Horsemen frightening Inhabitants of Jerusalem (1844), Mary's Walk over the Mountains (1841), Vienna Museum; Triumph of Christ, Raczynski Gallery, Berlin; St. Ann (1844); Disciples on Way to Emmaus; Joseph's Dream; Pietà; Shepherds on Way to Manger; Peter's Draught of Fish (1850); Judgment of Solomon; First Baptism in Samaria; The Body of St. John of Nepomuk found in the Moldau, Triumph of Christianity in Germany, Schack Gallery, Munich; Beheading of St. James, Leipsic Museum; Christ on Mount of Olives; Jacob and Rachel; Madonna; Rudolf von Hapsburg and the Priest (1870). Frescos: Three Scenes from Tasso's Jerusalem (1827-29), Villa Massimi, Rome; Fourteen Stations on Christ's Walk to Golgotha, St. Nepomuk, Vienna; Raising of Lazarus, Last Judgment, Fall of the Condemned, Altlerchenfeld Church, Vienna.—Allgem. d. Biogr., viii. 185; Brockhaus, vii. 401; Illustr. Zeitg. (1874), ii. 451; (1875), i. 487; Schack, Meine Gemäldesammlung (1885), 79; Wurzbach, v. 5; Zeitschr. f. b. K., iii. 189, 209; vi. 198; xvii. 33; Zimmermann, Studien und Kritiken, ii. 340.

FULLER, GEORGE, born at Deerfield, Mass., in 1822, died in Boston, March 21, 1884. Figure and portrait painter, studied in Boston, New York, London, and on the Continent of Europe. Painted portraits at first, for many years. Elected an A.N.A. in 1857; member of Society of American Artists. Memorial exhibition of his works at Museum of Fine Arts, Boston, 1884. Works: Cupid (1854), Miss I. M. Ames, New York; Negro Nurse with Child (1861), Waldo Higginson, Boston; At the Bars, Farmyard (1865), Mrs. M. Y. Wynne, Boston; Shearing the Donkey (1877-79), C. R. Grant,