Page:Cyclopedia of illustrations for public speakers, containing facts, incidents, stories, experiences, anecdotes, selections, etc., for illustrative purposes, with cross-references; (IA cyclopediaofillu00scotrich).pdf/60

 BEAUTIFUL, INFLUENCE OF THE

Every one is influenced to a greater or less degree by that which he sees about him, and those with whom he comes in contact.

A beautiful statue once stood in the market-place of an Italian city. It was the statue of a Greek slave-girl. It represented the slave as tidy and well drest. A ragged, uncombed little street child, coming across the statue in her play, stopt and gazed at it in admiration. She was captivated by it. She gazed long and lovingly. Moved by a sudden impulse, she went home and washed her face and combed her hair. Another day she stopt again before the statue and admired it, and she got a new idea. Next day her tattered clothes were washed and mended. Each time she looked at the statue she found something in its beauties until she was a transformed child.

This law of transformation through appreciation has its highest illustration in the changed life and character of men who have lived in communion with God.

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BEAUTIFUL LIFE, SECRET OF

In the legend of the "Great Stone Face" Hawthorne tells us how a great soul was formed by constantly looking at an ideal head formed by rocks on the side of a mountain. Ernest had been told by his mother that some day or other (so the people in the valley believed) a man would grow up from among them who would be the greatest man of his time, and that his face would resemble the face outlined on the rocks of the mountain. So Ernest waited, and finally a man who had become very rich came back to the valley and built a palace, and people thought for a time that the legend had been fulfilled in Mr. Grabgold, but the man was hard and selfish. Another came who was famous as a statesman, but ambition had killed his spiritual life. A poet came, whose verses had been an inspiration to Ernest, who often preached to the people of the valley, but the poet was a sensualist. He admitted to Ernest that he had not lived the beautiful life that he had depicted in his poetry, that he had even doubted at times whether the beautiful things he had taught to men were true. So at last, when Ernest had been almost in despair about the great man who should come to the valley, he went out one evening to preach to the people, and as the rays of the setting sun lighted up his face, and also the Great Stone Face of the mountain, the people shouted, "The legend has been fulfilled; the faces are alike." It was true. The boy of the valley, by keeping his eyes on the noble face on the mountain, had accomplished more than they all. It is the secret of the development of the soul. A man must keep his eyes on the face of Jesus Christ to-day, because there is none else so noble.—

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BEAUTIFUL, UTILITY OF THE

In one of the earlier chapters of his "Les Miserables," Victor Hugo tells how a good bishop answered his housekeeper once. She expostulated with his lordship for giving a full quarter of his garden to flowers, saying that it would be better and wiser to grow lettuce there than bouquets. "Ah, Madame Magloire," replied the bishop, "the beautiful is as useful as it is beautiful."

The ministry of beauty is one of the overflowings of the divine mind and heart, and serves God's purpose in common with the utilities of His works.

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BEAUTY

The sense of the beautiful extends to the animal creation.

Land-birds show fondness for decoration. A robin in Pennsylvania made the whole nest of flowers and white stems of everlasting, and it may now be seen in the Philadelphia Academy of Science. Other birds have been known to build entirely of flowers. Miss Hayward, an invalid who studied birds from her window, saw one pair build a nest of the blossoms of the sycamore and sprays of forget-me-not, and another—an English sparrow—cover its nest with white sweet alyssum.—, "The Bird Our Brother."

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Beauty and Utility—See.

BEAUTY, DECEIVED BY

Bates found on the Amazon a brilliant spider that spread itself out as a flower, and the insects lighting upon it, seeking sweetness, found horror, torment, death. Such transformations are common in human life; things of poison and blood are everywhere displaying themselves in forms of innocence, in dyes of beauty. The perfection of mimicry