Page:Cyclopedia of illustrations for public speakers, containing facts, incidents, stories, experiences, anecdotes, selections, etc., for illustrative purposes, with cross-references; (IA cyclopediaofillu00scotrich).pdf/500



as could be, and soon they were sound asleep. (Text.)
 * skin and had nestled up close to it as contented

(2116)

MOTION, CHANGE BY

The effect of rotation in changing the shape of plastic bodies can readily be shown in simple experiments. A light metal ring is mounted on a vertical axis about which it can be rotated with great rapidity. When the ring is at rest it is circular in shape, but when it is rotated it becomes flattened along the axis, bulging out at what we may call the equator. The faster the ring is rotated the greater and greater becomes its departure from circular shape.—, "The Solar System."

(2117)

Motion Desired—See.

MOTION WITHOUT PROGRESS

There's one kind of an engine that's always a nuisance to me, and that's these little switching-engines down by the station. They run up and down side-tracks, shoving cars; and that's all they do from week to week and from month to month. They're always getting in the way of wagons and scaring horses. But when I see a grand locomotive start to the seacoast cities, there is music in her whistle. There is something which says she's determined to land her passengers at their destination on time. There are a great many of us Christians just switching backward and forward on side-tracks.—"Famous Stories of Sam P. Jones."

(2118)

Motive, A Pure—See.

MOTIVE, MERCENARY

Portrait-painting was the deliberate choice of Sir Godfrey Kneller because it was profitable. It was said of him: "Where he offered one picture to fame, he sacrificed twenty to lucre." He said of himself: "Painters of history make the dead live, and do not begin to live themselves till they are dead; I paint the living and they enable me to live." And in this he succeeded, for he painted ten sovereigns, and among other celebrities, Marlborough, Newton and Dryden. He was rewarded, too, by poems written in his honor by Pope, Addison, Steele and others. King William got him to paint the beauties of Hampton Court. (Text.)

(2119)

Mountain, The—See.

Mourning—See.

Movement—See.

MOVEMENT UNCEASING

There is nothing absolutely stable in the universe. From the ultimate eon to the largest world in space everything is moving. If we believe in progress we shall say that everything is moving on. If anything should actually stop it would be instantly destroyed. If a man could go to the top of a high tower, or a mountain, and there could come to absolute rest, the atmosphere of our earth, light as it seems, but traveling about nineteen miles in a second, would by its friction probably reduce him in a second to a patch of flame and dissipate him as a fiery gas in every direction.

So, if in our life progress we should try to stop and live in a dead past, or turn back to old conditions, the world's rush of progress would leave us behind, or its frictions would wear our spirits out.

(2120)

Moving Pictures in Churches—See .

Much in Little—See ; .

Much in Little Space—See.

Multiformity of Life—See.

MULTIPLE CONSCIOUSNESS

Newspaper readers have been furnished with the details of the case of the Rev. Ansel Bourne, which may be briefly recalled. Some years ago a stranger arrived in Norristown, Pa., rented a store, stocked it, and began business in a quiet, business-like way which attracted no attention and aroused no suspicion as to any mental difficulty. Some two months later one of his neighbors was startled by a call from the newcomer, who, in a bewildered way, demanded to know where he was, and after a time explained that he was a Rhode Island clergyman, could not account for his presence in Norristown, knew nothing of any of his actions while there, and could only recall that he had drawn some money from a bank in his native place two months before, after which his life was a blank. And yet, during the entire period his actions had been apparently