Page:Cyclopedia of Painting-Armstrong, George D (1908).djvu/76



The most difficult subject with which the painter has to deal is that of color harmony. In other words, how to use different colors in decoration in such a manner as to produce a perfect harmony and a pleasing result. The subject is a difficult and comprehensive one, and it would be impossible within the limits of this book to do justice to it. A few general hints, however, will no doubt be of service.

It should first be recognized that there are distinct rules and laws regulating harmony in color. Just as some people have an ear quick to recognize the slightest discord, so some are fortunate enough to possess an inherent talent for recognizing color harmony. It is to be feared that while the musical ear, so to speak, is fairly common, the ability to harmonize colors is much rarer. Speaking generally, ladies have more natural talent in matters concerning color than men have. Possibly the reason is that they are called upon more frequently to choose and determine upon matters relating to color in connection with their dress. It is true that if one is inclined to be satirical one might suggest that some ladies, judging by the extraordinary combination of colors they wear, must be color blind. It has been proved by statistics that one person in ten is color blind, but this does not mean wholly devoid of the ability to distinguish one color from another, but simply that there are certain colors which the person who is color blind cannot distinguish from others.

In almost everyday work the painter is called upon to mix colors that shall harmonize, as, for instance, to paint the woodwork of a room in colors that will harmonize with the wallpaper.