Page:Cyclopedia of Painting-Armstrong, George D (1908).djvu/312

304 PIGMENTS WHICH ARE LITTLE AFFECTED BY HEAT, AND WHICH MAY BE USED WHEN THE MATERIAL HAS TO STAND FIRE.


 * White. Tin white, barium white, zinc white.
 * Red. Red ochre, Venetian red, Indian red.
 * Yellow. Naples yellow, antimony yellow.
 * Blue. Smalt and royal blue, ultramarine.
 * Green. Chrome green, cobalt green.
 * Orange. Burnt sienna, burnt ochre.
 * Brown. Burnt umber, manganese brown.
 * Black. Graphite, mineral black.

COLORS THAT MAY BE USED WITH LIME.


 * White. Permanent white, baryta white, gypsum, zinc white.
 * Red. The vermilions, light red, Venetian red, Indian red, madder lakes.
 * Orange. Cadmium, orange chrome. Mars orange, burnt sienna, burnt Roman ochre, light red.
 * Yellow. Aureolin, cadmium yellow, lemon yellow, Naples yellow. Mars yellow, raw sienna, yellow ochre, Roman ochre, transparent gold ochre, brown ochre, Indian yellow, Oxford ochre.
 * Green. Oxide of chromium, transparent oxide of chromium, viridian, emerald green, malachite green, verdigris, terre verte, cobalt green, chrome green.
 * Blue. Genuine ultramarine, artificial ultramarine, new blue, permanent blue, cobalt blue, cerulean blue, smalt.
 * Purple. Purple madder. Mars violet.
 * Brown. Bone brown, bistre, Prussian brown, burnt umber, Vienna brown, Vandyke brown, Cologne earth, asphaltum, Cassel earth, manganese brown. Citrine. Raw umber, Mars brown.
 * Blacks. Ivory black, lamp black, blue black, charcoal black, cork black, Indian ink, black lead, drop black, plumbago.