Page:Cyclopedia of Painting-Armstrong, George D (1908).djvu/108

100 is as follows: Add raw umber and chrome green in the proportion of about one part of the former to two parts of the latter added to white lead until the desired shade is obtained, A pale Brunswick green and a very little black used to tint white also gives a good sage green.

Sap Green. Mix with white lead, medium chrome yellow and a very little lamp black.

Sea Foam. Tint white lead with medium chrome yellow and emerald green, or if too bright, use medium chrome green instead of the emerald.

Sea Green. This color is obtained by adding deep chrome to white lead. Another sea green, and a very good one, is obtained by mixing light Brunswick green, raw sienna or ochre and white.

Seered Green. Tint white lead with French ochre, medium chrome yellow and a little bright green.

Starling's Egg Green. A mixture of light chrome and Prussian blue, lightened up with white, will produce this color.

Tea Green. Medium royal green, chrome yellow and lamp black added to white lead will give this color.

Velvet Green. Mix three parts of burnt sienna, five parts of light chrome green and eight parts white lead.

Venetian Green. Lighten up dark chrome green with white lead.

Water Green. Raw sienna mixed with a little deep chrome green and added to white lead gives a water green tint.

Willow Green. Tint white lead with medium chrome green, and add a little burnt umber or ivory black.

Rich Dark Red. Mix Indian red with a little black Japan.

Rich Dark Brown. Mix crimson lake and black Japan, varying the amount of each according to the depth required.

Chocolate Brown. Mix orange chrome with black Japan.