Page:Cyclopedia of Painters and Paintings, 1887, vol 4.djvu/364

 TUKPILIUS search of Apuleius (1814), Crossing the Brook (1815), Dido building Carthage (1815), Temple of Jupiter Panhellenius (1816), Decline of Carthage (1817), Field of Waterloo (1818), The Meuse (1819), Rich- mond Hill (1819), Home from the Vatican (1820), Borne-Arch of Titus (1820), Bay of BaicB (1823), Carthage (1828), Scene from Boccaccio (1828), Ulysses deriding Polyphe- mus (1829), Loretto Necklace (1829), Orvie- to (1829), Vision of Medea (1829), Eegulus (1829), Pilate washing his Hands (1830), Ca- ligula's Palace and Bridge (1831), Watteau Painting (1831), Lord Percy (1831), Childe Harold's Pilgrimage (1832), Landing of Prince of Orange at Torbay (1832), Shad- rach, Meshach, and Abednego (1832), Venice the Dogana (1833), do., Canal of the Giu- decca (1834), Lake Avernus (1834), Heidel- berg Castle in Olden Time (1835), Apollo and Daphne (1837), Parting of Hero and Leander (1837), Phryne going to the Bath as Venus (1838), Landing of Agrippina (1839), Fighting Temeraire (1839), Bacchus and Ariadne (1840), New Moon (1840), Venice Bridge of Sighs (1840), Burial of Wilkie (1842), Exile and Rock Limpet (1842), Snow -Storm (1842), Shade and Darkness (1843), Light and Colour (1843), Opening of the Walhalla (1843), Approach to Venice (1843), Sun of Venice (1843), Fishing Boats and Disabled Ship (1844), Eain, Steam, and Speed (1844), Venice (1844), Venice Quay (1844), Venice at Noon (1844), Whalers (1845), Venice at Sunset (1845), do. at Evening (1846), do. in Morn- ing (1846), Whalers (1846), Whalers in Ice (1846), Queen Mab's Grotto (1846), Undine giving Ring to Masaniello (1846), Angel in the Sun (1846), Hero of a Hundred Fights (1847), .ZEneas relating his Story to Dido (1850), Mercury sent to admonish JEneas (1850), Departure of Trojan Fleet (1850), Visit to the Tomb (1850), and others, Na- tional Gallery, London ; Landscape (1821), East Cowes Castle (1828), Vessels in Dis- tress off Yarmouth (1831), St. Michael's Mount (1834), Line-Fishing off Hastings (1835), Venice (1840), South Kensington Museum, ib. ; Venice Grand Canal, Earl Dudley, London ; Sea Storm, Bridgewater Gallery, ib. ; Vintage at Macon (1803), Wreck of the Minotaur (1810), Lord Yarborough, ib. ; Echo and Narcissus, Jessica, Thames at Eton, do. at Weybridge, do. at Windsor, and others, Petworth House ; Views of Lowther Castle (2), Earl of Lonsdale ; Van Tromp's Shallop (1832), Holloway Institute, Egham ; Scene on French Coast (1831), Staffa (1832), Lenox Library, New York ; Norham Castle, Fountain of Indolence, William H. Vander- bilt, ib. ; Slave Ship, Thornton Lothrop, Boston ; Cicero's Villa (1839), Hermon sale, 1882, 1,890. Monkhouse, Turner (1883) ; Burnet, Turner and his Works (London, 1853) ; Watts, Liber Fluviorum, etc. (1853) ; Art Journal (1856), 297 ; (1857), 1, 33, 226 ; Athenaeum, Dec., 1851 ; Jan., 1852 ; Red- grave ; Ch. Blanc, Ecole anglaise ; Dutton Cook, 317 ; Ruskin, Mod. Painters, v. 303, 358 ; G. W. Thornbury, Life (1862) ; Ham- erton, Life ; Portfolio (1876), 28 et seq. ; (1877), 44 et seq. ; (1878), 2 et seq. ; Sandby, i. 316 ; Waagen, Art Treasures. TURPILIUS, Roman painter, of Venetia, 1st century A.D. He was a knight, and Pliny mentions him (xxxv. 7 [20] ) as an ex- ception to the low condition in life of the painters of his day. He painted with hia left hand. TURPIN DE CRISSti, LANCELOT THEODORE, Comte de, born in Paris in 1781, died there in 1859. Landscape and architecture painter, son of the Marquis de Turpin, who, forced by the Revolution to leave France, died in America, leaving his family without resources. Lancelot took up painting, and after studying in Rome re- turned to Paris, where he was patronized by Napoleon and Josephine and by Prince Eu- gene. He formed an art collection which he bequeathed to the Angers Museum. Works : Temple of Vesta at Tivoli, Angers Museum ; Views of Tivoli (2), Dijon Muse- um ; View at Roquebrune, Marseilles Mu- seum ; Entry of Emperor of Austria into