Page:Cyclopedia of Painters and Paintings, 1887, vol 4.djvu/249

 SORTIE formed himself after the works of Brouwer, i Rondo de nuit anil Patrouille de nuit by though more dull and heavy in colour. He French writers, and Night Watch by Sir represented peasant scenes, conversations, and kitchen interiors, with genuine feeling for nature, good draw- ing. and careful exe- cution. Works: Boors at Cards, Man and Woman at Table, Na- tional Gallery, Lon- don ; Old Woman by the Fireside, Madrid Museum ; Alchemist, Mr. Henderson, ib.; Kitchen Interior, Louvre ; Fish Market, Lute Player (1C61), Storm (1668), Amster- dam Museum ; Rustic In- terior (1650), Great Market at Rotterdam (1654), Rot- terdam Museum; Card Players, Dubus Collection, Brussels ; Peasants Smok- ing, Augsburg Gallery; Party of Peasants, Labour- ers in the Vineyard (1665), Brunswick Gallery ; Peas- ants' Brawl, Berlin Muse- um ; Quarrel in a Cellar, Fisherman with Salmon, Carlsruhe Gallery ; Dutch Vegetable Market, do. Fish Market, C a s s e 1 Gallery ; Peasant Family (1646), Tavern Interior, Old Pina- kothek, Munich; Card Players (1643), Fishmong- Joshua Reynolds. It represents the gather- ing in broad daylight, of the Civic Guard of Amsterdam outside of their quarters, from which they are emerging at the sound of the drum calling them to practise. Captain Banning Cock and his lieutenant, Willeni van Ruytenberg, in centre, are followed by the ensign, with the orange, white, and blue standard of Amsterdam, and the ser- geants with their halberds ; the drummer, with a dog at his heels, is beating his drum, in right hand front corner, and the guards, armed with arquebuses and pikes, are crowding through the open door behind. ers and Cook (1664), Labourers receiving Pay (1667), Dresden Gallery ; Adoration of the Shepherds (1642), Copenhagen Gallery; do. (1646), Marine with Vessels (1650), Peasant's Brawl (1665), Hermitage, St. Petersburg. Ch. Blanc, Ecole hollandaise ; Burger, Musces, ii. 271 ; Riegel, Beitriige, ii. 322 ; Kramm, vi. 1902 ; Kugler (Crowe), ii. 424. SORTIE OF THE BANNING COCK COMPANY, Rembrandt, Amsterdam Mu- seum ; canvas, H. 11 ft. 9 in. x 14 ft. 3 in. ; signed, dated 1642. Erroneously called Sortie of the Banning Cock Company, Rembrandt, Amsterdam Museum. On a shield on the building are the names of sixteen of the principal figures, all of which are portraits. One of the most im- portant works of the master, who received for it 1,600 florins. It remained in the possession of the arquebusiers until about 1700, when it was removed to the Hotel de Ville, where, in order to fit it into a space between two doors, it is supposed to have been reduced in size. A copy (H. 2 ft. 2 in. x 2 ft. 9 in.), now in the National Gallery, London, ascribed formerly both to Rem- 305