Page:Cyclopedia of Painters and Paintings, 1887, vol 3.djvu/66

 LAST TOKEN onno, in Royal Academy, London ; others in the Louvre, in the Brera at Milan (formerly in Convent at Castellazzo di Vigentino), and at Ponte Capriasco, Switzerland. Picture best known by Raphael Morghen's engrav- ing (1800), but it was not made from the original, as generally supposed. Morghen engraved it in Florence from a drawing made by Teodoro Matteini, who was sent to Milan for the purpose, but who undoubt- edly took many, details from Marco d'Oggi- onno's copy, in which the heads are not closely copied from the original. Bern. (1859), i.; Bosi, Del Cenacolo (Milan, 1810); Goethe, Abendmahl von L., xxxix. ; Kugler (Eastlake), ii. 252 ; Ch. Blanc, Ecole floren- tine. Subject treated also by CHambattista Tiepolo, Louvre ; Jules Elie Delaunay, Lux- embourg Museum ; Bartolomeo Carducci, Madrid Museum; Annibale Carracci, Ferrara Gallery ; Andrea del Castagno, Refectory of S. Apollonia, Florence ; Benedetto Cagliari, Venice Academy ; Pablo de Cespedes, Cor- dova Cathedral ; Hans Holbein, elder, St. Leonard's, Augsburg : Gerard de Lairesse, Last Supper, Leonardo da Vinci, Convent of S M. delle Grazie, Milan. Luini is said to have made a copy for Louis XII. of France, but nothing is known of it. A copy by Rubens, in his peculiar stylo, has been engraved by Souttnan. Another engraved by Thouvenet. In 1884 the French Ministry of Fine Arts commissioned Gaillard to engrave it for 70,000 francs. Reputed studies by Leonardo are in the collection of the Grand Duchess of Weimar, in the Wind- sor Collection, in the Brera at Milan, in the Louvre, and in the Venice Academy ; Leo- nardo's memoranda concerning the arrange- ment of the figures, in one of his note-books in South Kensington Museum. Vasari, cd. Mil., iv. 29 ; Delocluze, L. da Vinci (1841); Stendhal, Hist, de la Peinture en Italie Louvre ; Francesco Peirai, Naples Museum ; Alphonse Perin, Notre-Dame de Lorette, Paris ; Hippolyte Flandrin, Saint-Germain- des-Prcs, ib.; Pierre Auguste Pichon (1856) ; Francois Verdier, Caen Museum. LAST TOKEN, Gabriel Max, Miss C. L. Wolfe, New York ; canvas, H. 8 f t. x 5 ft. Scene in the Coliseum in the time of the persecutions of the Christians. A fair young girl, exposed in the arena to two lions and a tiger, which have evidently just come out of their den beside her, is timidly resting one hand upon the wall and gazing upward to see what sympathetic spectator has cast down a rose lying at her feet. Art Journal (1881), 174 ; Art Treas. of Amer., i. 124.