Page:Cyclopedia of Painters and Paintings, 1887, vol 3.djvu/47

 LANFRAJSTCO (1859) ; Flood in the Highlands (I860) ; Scenes in Highland Deer Forest, The Shrew Tamed (1861); Well-Brcd Sitters, Piper and Pair of Nut-Crackers (1864); The Connois- seurs, Prosperity, Adversity (1865) ; Lady Godiva's Prayer, Odds and Ends, The Chase (1866); Her Majesty at Osborne, Wild Cat- tle of Chillingham (1807) ; Rent Day iu Wilderness (1868) ; Swannery invaded by Eagles, Study of a Lion (1809); Queen meet- ing Prince Albert on Return from Deer- Stalking, Doctor's Visit to Poor Relations at Zoological Gardens (1870) ; Baptismal Font, Lion and the Lamb (1872) ; Tracker, Sketch of the Queen (unfinished, 1873) ; Man Proposes but God Disposes, Holloway Institute, Egham, near London ; Stag at Bay, Lord Godolphin ; Dogs and Duck, ex- Governor E. D. Morgan, New York ; After the Chase, W. H. Vanderbilt Collection, ib. More than three hundred engravings have been made after his works. He designed the four colossal lions at the base of Nel- son's column, Trafalgar Square, London. Graves, Cat. of Works of Sir E. Landseer, (London, 1875); Redgrave; Cat. Nat. Gal; Fraser's Mag., July, 1856 ; Stephens, Early Works of L. (London, 18(il)) ; do., Sir E. L. (London, 1880) ; Sandby, ii. 14:5 ; Portfolio (1871), 165; Athenaeum, Oct., 1873, 440; Illustr. Zeitg. (1873), ii. 327 ; Zeitsch. f. b. K, x. 129, 163. LANFRANCO, GIOVANNI, Cavaliere, born in Parma in 1580 or 1581, died in Rome, Nov. 29, 1647. Ro- man school ; pupil of Agos- tino Carracci, then at Fer- rara ; on his master's death (1601) he went to Rome and assisted Anni- bale Carracci, from whose designs he exe- cuted frescos in the Palazzo Farnese. Among his earliest original works are the Assumption, in a chapel of S. Agostino (which gave him reputation), and a Virgin iu the Clouds with Saints (1021-25), cupola of S. Andrea della Valle. This work had been promised to Domenichino, who had already painted the walls, and Lanfranco was thus brought into direct competition with that great artist. In 1631 he went to Naples and executed works in the Gesu, now destroyed, and in other churches, remaining there until 1046, when he returned to Rome. Among his best pictures are St. Louis feed- ing the Poor, Venice Academy, and Libera- tion of St. Peter, Palazzo Colonna, Rome. Other works in public galleries : Mary Mag- dalen, St. Peter in Tears, do. with Book and Keys, Artist's Portrait, Uffizi, Florence ; As- sumption, Ecstasy of S. Margherita da Cor- tona, Palazzo Pitti, ib. ; The Virgin with Christ liberating a Soul, Virgin in the Clouds and Saints, Satan enchained by Angels, Re- pose in Egypt, St. Jerome roused by Trum- pet of Last Judgment, Infant Christ adored by Saints, Naples Museum ; History of Mo- ses, Last Supper, Quiriual, Rome ; Hagar in the Desert, St. Peter, Separation of SS. Peter and Paul, Coronation of the Virgin, Louvre, Paris ; St. John Baptist, Amster- dam Museum ; Jacob's Dream, Basle Mu- seum ; Mary Magdalen, Berlin Museum ; St. Paul in Malta throwing the Adder into the Fire, Cassel Gallery ; Cimou nursed by his Daughter Pero, Darmstadt Museum ; Peter Penitent, Four Old Sorcerers, Dres- den Museum ; The Angel showing to Hagar the Spring, Mater Dolorosa, Christ on Mount of Olives, Old Pinakothek, Munich ; Madonna appearing to Hermits, Vienna Museum ; Ob- sequies of Julius Ciusar, Roman Soldiers receiving Crowns, Banquet of Patricians, Roman Mock Sea-Fight, The Auspices, Ma- drid Museum. Ch. Blanc, Ecole ombrienne ; Burckhardt, 704, 794, 798 ; Baldiuucci, iv. 448. LANG, HEINRICH, born at Ratisbon, April 24, 1838. Horse painter, pupil of the Munich Academy under Friedrich Voltz ; visited the studs of Wiirtemberg and military is