Page:Cyclopedia of Painters and Paintings, 1887, vol 3.djvu/250

 MARSHALL er, pupil of Prcller in Weimar, and in 1856 of Antwerp Academy under De Keyser ; then visited Paris and returned to Weimar, where he was much influenced by Preller's and Geuelli's classical compositions. Works : Erasmus of Rotterdam at Basic ; Tartini's Dream, Schack Gallery, Munich ; Genius of Weimar ; Preparing for the crowning with Thorns ; Ahasuerns turning the Redeemer from his Door ; Landscape with Bacchic Procession ; Poetical Justice, and decora- tion <jf ceiling, Royal Theatre, Dresden. Kaulen, 122 ; Meyer, Conv. Lex., xvii. 573 ; Illustr. Zeitg. (1877), ii. 486 ; Miiller, 355. MARSILIO AND HIS BRIDE, Loren- zo Lutto, Madrid Museum ; canvas, H. 2 ft. in. x 3 ft. 2 in. ; signed, dated 1523. A couple exchanging the ring of betrothal ; Cupid, crowned with laurel, flutters behind and unites them by a pressure of his hand on their shoulders. Painted for Zanin Ca- sotto, of Bergamo. .Collection of Philip IV. C, & C., N. Italy, ii. 514; Locatelli, i. 4(i3. MARSTIUND, VILHELM NIKOLAJ, born at Copenhagen, Dec. 24, 1810, died there, March 23, 1873. History and genre painter, pupil of Co- pcnhagen A c a d e m y under Eck e r s b e r g ; went in 1830 to Mu- nich and Rome ; in 1848 became profes- sor at, and in 1853- 59 was director of, Copenhagen Academy. Especially successful in humorous genre scenes. Member of Copenhagen Academy and medal in 1841. Works : Day of chang- ing Servants, Scene in Eating-House, Entry into Cellar, Street Scene in Dog-Days, Auc- tion Scene, Musical Evening Party (1831- 35) ; Outside the Prison ; Festival of St. Anthony ; Roman Citizens in a Tavern ; Return from October Festival in Rome (1841), Thorwaldseu Museum, Copenhagen ; Erasmus Montanus (1844), Lying-in Room (1845), Sunday in Dalecarlia (1853), A Visit (1857), Last Supper (1869), Portrait of the Painter Coustantiu Hansen (1862), do. of the Art-Historian Hoyen (1869), Roman Woman in Carnival Attire, The Misshapen Lover, Copenhagen Gallery ; Scene from Holberg's Would-be Politician (1852), Kunst- halle, Hamburg; Holberg and the Two Fools ; Minister and Poet ; Historical fres- cos in Burial Chapel of Christian IV., Roes- kilde Cathedral (1861-66). D. Kunstbl. (1852), 361 ; (1855), 299 ; Sig. Miiller, 237 ; Weilbach, 455. MARSYAS. See Apollo and Marsyas. MARSYAS, YOUNG, Elihu Vedder, pri- vate gallery. The young satyr, nude, seated at the foot of a large tree-trunk, in a land- scape covered with snow, is playing pan- pipes, with a circle of hares sitting around in a listening attitude. Exposition univer- selle, 1878. MARTENS, THEODOR, born at Wismar, Mecklenburg, Aug. 26, 1822, died at Portici in Oct., 1884. Landscape painter, pupil in Diisscldorf of Aug. Weber, and in Paris of Lambinet ; studied much after Corot, Diaz, and Daubiguy, whose manner greatly influ- enced his art. Works : Landscape on Bal- tic Coast ; On the Heights in Thuringia ; Sunset ; Huntsman's Lodge near Wismar ; Waterfall ; Marine ; Oaks of Ivenau ; Wil- lows near Mill Pond (1875), Village of Muh- len-Eichsen (1879), Schwerin Gallery. Kuust-Chronik, xx. 90 ; Miiller, 355. MARTERSTEIG, FRIEDRICH WIL- HELM, bom at Weimar, March 11, 1814. German school ; history painter, pupil of Weimar Art School (1829-34), of Diissel- dorf Academy under Hildebrandt and Scha- dow, and in Paris of Delaroche ; began with genre scenes, then treated events from the Thirty Years' War, the Reformation, and 208