Page:Cyclopedia of Painters and Paintings, 1887, vol 3.djvu/217

 MAGNIFICAT Joseph ; in front, the three Kings (one a negro in a turban) with attendants ; in fore- ground, at left, a horse and a dog ; in back- ground, a camel's head and a horse's head. The man in armour is Veronese himself. Gal. de Vienne, i. PI. 43. By Leonardo da Vinci, TJffizi, Florence ; wood, 7 ft. 9 in. sq. The Madonna, seated in foreground, with Jesus in her arms, and the Magi and their attendants grouped around ; more than 30 figures. Painted (1480-83) in brown ; unfinished. Probably the picture for which Leonardo received a commission in 1481 from the monks of S. Donato al Scopeto, near Florence. Engraved in outline in Rosini's " Storia della pittura italiana." Vasari, ed. Mil., iv. 27 ; Richter, ! Leonardo, 9 ; Clement, 341 ; Gaz. des Beaux I Arts (18G7), xxiii. 531 ; Burckhardt, 027 ; ' Ch. Blanc, cole florentine. Subject treated also >y Cristofano Allori, TJffizi, Florence ; Guido Aspertini, Bologna Gallery ; Jacopo Bassano, Vienna Museum ; Leandro Bassano, Louvre, Paris, and Ma- drid Museum ; Bouifazio, Venice Academy ; Saudro Botticelli, TJffizi ; Brusasorchi, S. Stefano, Verona ; Luca Cambiaso, Parma and Turin Museums ; Benedetto Castiglione, SS. Annunziata, Genoa ; Giuseppe Chiari, Dres- den Gallery ; Belisario Corenzio, Naples Museum ; Lorenzo di Credi, Berlin Mu- seum ; Giovanni Antonio Fassolo, Dresden Museum ; Gaudenzio Ferrari, Milan Gal- lery ; Francesco Fraucia, Dresden Gallery ; Garofalo, Berlin Museum ; Gentile da Fa- briano, Triuita, Florence ; Domenico Gliir- landajo, Pitti and TJffizi ; Fra Augelico, Na- tional Gallery, London ; Filippo Lippi, TJf- fizi ; Bernardino Luini, Cathedral of Como ; Mautegna, TJffizi ; Matteo di San Giovanni, S. Domenico, Siena ; Girolamo Mazzola, Louvre ; Lorenzo Monaco, TJffizi ; Battista Naldini, Dresden Museum ; Marco Palmez- zano, ib.; Camillo Procaccini, Modena Mu- seum ; Luca Signorelli, Louvre ; Sodoma, S. Agostino, Siena ; Titian, Vienna Muse- um ; Paolo Veronese, Madrid, Vienna, and Dresden Museums ; Leonardo da Vinci, TJfh'zi ; Antonio Vivarini, Berlin Museum ; Velasquez, Madrid Museum ; Jerome Bosch, ib. ; Lucas Crauach, elder, Vienna Museum ; Albrecht Diirer, Uflizi ; Jan van Eyck, Brus- sels Museum ; Hans Holbein, Munich Mu- seum ; Gerard Seghers, Notre Dame, Bru- ges ; Martin de Vos, Dijon Museum ; Ru- bens, St. John, Mechlin, Brussels Museum ; Jean Jouveuet, Church of La Fosse ; Nico- las Poussin, Dulwich Gallery ; Richard Tas- sel, Dijon Museum ; Heiurich Lehmaim (1855), llheims Museum. MAGNIFICAT, Jean Jo,, vend, Notre Dame, Paris. The Visitation. Jouvenet's last work, and one of his best. Painted in 1715, after ho had lost the use of his right hand from paralysis. MAGNIFICAT OF ART. See Triumph of Religion in Arts. MAGNUS, EDUARD, born in Berlin, Jan. 7, 1799, died there, Aug. 8, 1872. Genre and portrait painter, pupil of Ber- lin Academy ; visited Franco and Italy in 182C-29, Italy again and England in 1831- 35, France and Spain in 1850-53 ; became member of Berlin Academy in 1837, and professor in 1844 ; excelled in female portraits. Medal, 2d class, Paris, 1855 ; Order of Red Eagle ; Order of St. Michael. Works : Drama with the Golden Chain, Return of the Pirate, Pirate's Farewell, Two Girls in Sunshine, Children playing with Flowers, Country Girl, Fisher-Boy of Nice, Return of Greek Fisherman, Female Head, Portrait of Jenny Liud (last three in Na- tional Gallery, Berlin) ; Portraits of mem- bers of Royal Family of Prussia, Field Mar- shal Wrangel, Prince Radziwill, Countesses Arnim and Rossi, Mendelssohn, Thorwald- sen, Curschmann, Adolf Menzel, Henriette Son tag, of himself, and of his mother, etc.; Countess Wanda Raczynski (1837), Rac- zynski Gallery, Berlin. Allgem. d. Biogr., 179