Page:Cyclopedia of Painters and Paintings, 1887, vol 3.djvu/207

 MADRAZO at the Bed of Ferdinand VII. (1843); Wom- en at the Sepulchre, Portraits of Queen Isa- bella (1845), King Francisco, Duchesses of Alba and Medina-Cceli, and many others ; New Song ; Cigarette ; In her Boudoir ; Matinee Musicale ; Portrait of Count Eac- zynski (1850), Eaczynski Gallery, Berlin. His brother Luis, pupil of his father, took the grand prize for Eonio in 1848, and is especially known through his Burial of St. Cecilia in the Catacombs (1855), Madrid Museum. Kunstbl. (1855), 215 ; Larousso, x. 900 ; Meyer, Conv. Lex., xix. Gil ; Mai- ler, 347 ; Passavant, Christ!. K. in Spanien, 118 ; Unsere Zeit (1859), 402. MADRAZO, Don IIAIMUNDO DE, born in Eome, July 24, 1841. Genre and portrait painter, son and pupil of Feder- ico, and student in Paris at the E c o 1 e des Beaux Arts, and later of Loon Cogniet. Medal : 1st class, Par- is, 1878 ; L. of Hon- our in 1878. Works : After Vespers ; Andalusiau Singer ; La Aventurera ; Playing Guitar ; The Gypsy ; End of a Masked Ball (1878), Mrs. A. T. Stewart, New York ; The Comic Newspaper, Fair Masquerader, William Astor, ib. ; Masqueraders, Fete during Carnival, Wil- liam H. Vauderbilt, ib. ; El Men, Henry C. Gibson, Philadelphia ; Dindon Tendre, A. J. Drexel, ib. ; Pierrette (1878), Inte- rior of S. Maria della Pace at Home, Alexander Brown, ib. ; My Model, La Sou- brette (1882); Notturno, The Domino (1883). His brother, Don Eicardo, has acquired repu- tation as a painter in water-colours : Story- Teller of Algiers, Alexander Brown, Phila- delphia ; Venders of Fire- Arms in Morocco (1879) ; Riva degli Schiavoni (1882) ; Study of a Head (1884). La Ilustraciou (1879), i. 122 ; (1880), i. 76, 342 ; (1882), i. 3, 99, 402 ; (1884), i. 115, 378 ; Mag. of Art (1884), 10. MADEUZZO, CEISTOFOEO, Cardinal, portrait, Titian, Salvador! Collection, Trent ; canvas, figure full-length, life-size. In the black robes and hat of a prince-bishop. Painted in 1548. Injured by time and res- toration. Vasari, ed. Mil., vii. 445 ; C. & C., Titian, ii. 18(3. MAECHSELKIECHNER, G A B E I E L, flourished about 1400-80. German school ; history painter who, from 14G7, painted, conjointly with Ulrich Fiiterer, for Kloster Tegernsee and Duke Albrecht IV. of Ba- varia. His works are characterized by a fantastic realism in representing bad or noble characters with great ugliness or beauty respectively. Works : Christ bear- ing the Cross, Crucifixion, Schleissheim Gal- lery. FOrster, Gesck, ii. 252 ; Sighart, 509. MAES, GODFEIED, the younger, born in Antwerp, Aug. 15, 1049, died there, May 30, 1700. Flemish school ; history painter, son of Godfried the elder (designer and en- graver, died in Antwerp, 1079), pupil of Peeter van Lint ; entered the Antwerp guild in 1004, became master in 1072, and dean in 1082. Works : Martyrdom of St. George (1084), Antwerp Museum ; St. Nich- 7<f&4 olas (1089), Ghent Museum. Cat. du Mus. d'Anvers (1874), 238; Kramm, iv. 1041; Eooses (Eeber), 335 ; Gaz. des B. Arts (1801), xi. 347 ; Van den Brandon, 955. MAES (Maas), NICOLAAS, born at Dor- drecht in 1032, died iu Amster- dam in Decem- ber, 1093. Dutch school ; genre and portrait painter, pupil of Eem- brandt, in whose manner he at first painted warmly coloured portraits of a reddish tint, but gradually came under influence of Flem- 16'J