Page:Cyclopedia of Painters and Paintings, 1887, vol 3.djvu/123

 LIPIXSKI Francis I., Joseph II., Marie Antoinette, Prince Charles of Lorraine, Marshal Maurice de Saxe, A Princess, Weimar Museum ; Male portrait, Berne Museum ; St. Peter, Em- press Maria Theresa, Portraits of himself (2) and his wife, four other portraits, Mu- see Rath, Geneva ; Portrait of himself, Uf- fizi, Florence. Fiorillo ; Fiissli, iii. 101 ; Nagler, vii. 546 ; Cat. du Musee Itath (1882), 34. LIPINSKI, HIPPOLYT, born at Neu- markt, Prussian Silesia, in 184G, died Juno 28, 1884. Genre painter, pupil of Cracow Art-School under Matejko, then studied in Munich (1871). Works : Palm Sunday, In Autumn ; Bathing Children ; Grain Market in Cracow ; Procession of Corpus Christi in Cracow (1883). Laud uud Meer (1885), lv. 59 ; Kunst-Chronik, xviii. 88. LIPPARINI, LUDOVICO, born at Bo- logna, Feb. 17, 1800, died at Venice, March 10, 185G. History and portrait painter, had attained such a reputation at the age of twenty-five that the Academy of Bologna elected him an honorary member ; lie then studied in Venice after the works of Jacopo Bussano, Tintoretto, Giorgione, Veronese, and Titian, and at the Academy under Mat- teiui, whose daughter, also a skilful artist, he married. Invited to Home and Naples, he painted many portraits of distinguished persons ; then studied in Florence the works of Fra Bartolommeo, and several years after in Parma those of Corregio, having mean- while lived again in Bologna. In 1838 he became professor at the Venice Academy. Works : Pisani's Oath not to take Revenge on his Enemies, Vienna Museum ; As- sumption, Cathedral at Gran, Hungary ; Achilles ; Erigone (1827) ; Bacchus and Ariadne ; Youth of Jupiter ; Byron's Oath on the Grave of Bozzaris ; Portraits of Popes Pius VII. and Leo XII., Marshal Marmont, Cauova, Eossini, and Thalberg. D. Kuustbl. (185G), 129, 133 ; Wurzbach, xiv. 225. LIPPI, FILIPPFNO, born at Prato in 1457-58, died iu Florence, April 18, 1504. Florentine school ; called by Vasari the nat- ural son of Fra Filippo Lippi by Lucretia Buti, but per- haps an adopted son (C. & C.). Vasari says he was a pupil of Sandro Botticel- li, but he was probably taught first by Fra Dia- mante. He shows high power of ex- pression and composition in the Vision of St. Bernard, in the Badia, one of the most charming pictures in Florence, painted when he was only about twenty years old. His style, though founded upon that of Fra Fi- lippo, is modified by the influence of Botti- celli. Though he occupies a lower place in the scale of art than Masaccio, as regards ability in composition, verity, and individu- ality of type, he excels him in charm and grace. Ho executed frescos in the Bran- cacci Chapel of the Carmine, Florence ; in the Strozzi Chapel, S. M. Novella ; and in the Caraft'a Chapel, Minerva, Rome. He also completed some frescos in the Brancacci Chapel left unfinished by Masaccio at his death. Those now attributed to him arc : A/lam and Eve, Peter in Prison, Martyrdom of Peter, Liberation of Peter. Among the best of his easel pictures are Jlfadnima with Saints (1485), Adoration of Mcuji (149G), Uf- fizi, Florence ; Death of Lucretia, Palazzo Pitti, ib. ; Madonna and Angels, Palazzo Cor- sini, ib. ; Jfadunna with Saints, S. Spirito, ib.; Altai-piece, S. Michele, Lucca; Christ appearing to the Virgin, Resurrection, (1495), Deposition from the Cross, Old Pi- uakothek, Munich ; Mmlonna with Saints, Adoration of Magi and St. Francis in Glory, National Gallery, London ; Madonna (2), Christ on the Cross, Berlin Museum ; St. Joachim and St. Ann, Copenhagen Gallery ; Madonna, Dresden Gallery. C. & C., Italy, ii. 431 ; Vasari, ed. Le Mon., v. 242 ; Se- guier, 84; Burckhardt, 545; Ch. Blanc, 87