Page:Cyclopedia of Painters and Paintings, 1887, vol 2.djvu/386

 JAXSSOX Angel, Brunswick Gallery ; Diana, Cassel Gallery ; St. Cecilia, Christ ns Saviour, The Four Roman Fathers of the Church, Cologne Museum. Ch. Blanc, Eeole namaude ; Cat. da Mas. (VAnvers (1874), 213 ; Immerzeel, ii. 80 ; Kraimn, iii. 790 ; Michiels, viii. 300; Riegel, BeJtnige, ii. 54 ; Itooses (Rebcr), 150; Van den Brandon, 478. JAXSSON. KARL EMANUEL, born at Finnstrom, Aland, July 7, 1840, died there, June 1, 1874. Genre painter, pupil at Abo of Ekinan and in Stockholm of Boklund (1802-08), then until 1870 at Diisseldorf of Vautier. Medal, Vienna, 1873 ; member of St. Petersburg Academy. Works : Court- ship in Aland ; A Copper in the Contribu- tion Box ; Ace of Clubs. Tailor. JAPY, LOUIS AIMK, born at Berne (Doubs); contemporary. Landscape paint- er, pupil of Francois. Medals: 1870; 3d class, 1873. Works : Before the Storm ; Valley of Nautuis ; Twilight ; Spring Land- scape (1873), Corcoran Gallery, Washing- ton ; Aurora, Spring-time in the Mountains, A River (1874); Spring-time in the Valley of the Somme, In the Woods in April (1878); Eml of April, Valley of the Lomont (Is7!); On the Plain at Villers Cotterets (1880) ; Autumn Evening (1881) ; A Morning in May, October Evening (1882) ; Moonrise, The Shepherd and the Sea (1883); After (he Storm, Morning in May (1884); Pools of Bcauval, Summer Evening (1885). JARDIN, KAHEL DI T, born in Amster- dam about 1025, died in Venice, Nov. 20, 1078. Dutch school; landscape and ani- mal painter, pupil of Ben- hem, and perhaps of Paul Potter, whose style he adopted. Vis- ited Home early, and there conceived a preference for Italian scenery. On his re- turn from Italy settled at The Hague, where in 1G5G he was one of the founders of the new guild Pictura; removed to Amsterdam in 1051), whence, after 1C70, he went to Rome, and thence to Venice. He painted also do- mestic scenes, portraits, and historical sub- jects. His Italian landscapes are harmo- niously treated. His animals are true to nature and well drawn. His large figures are extremely weak. Works : Figures and Animals Resting (1050), Fording the Stream (1057), Landscape with Cattle, Sheep, and Goats (1073), National Gallery, London ; Landscapes (4), Buckingham Palace ; do. (1), Bridgewater Gallery; do. (2), Lord Ashburton ; do. (2), Mr. Hope's Collection, London ; Halt of Horsemen at Italian Inn, Farrier's Shop, National Gallery, Edinburgh ; Calvary (1001), Italian Charlatans (1057), Landscapes and Cattle Pieces (0), Male Por- trait, Louvre ; Italian Landscape (1073), Woman Spinning, Hague Museum ; Peas- ant winnowing Corn (1055), Regent-piece (1009), Artist's Portrait (1000), Horseman before Inn, Muleteers, Male Portrait, do. (1070), Landscapes (2), Amsterdam Mu- seum ; Italian Landscape, Rotterdam Mu- seum ; Vanguard, Returning to Stable, Brussels Museum ; Stirrup Cup, Basle Museum ; Dog and Horse Studies (2), Christ on the Cross, Musee Rath, Geneva; Portrait of Young Man (1052), Tasting Wine (1004), Morning, Evening, Berlin Museum ; David after slaying Goliath, Brunswick Museum ; Shepherdess Spinning, Carlsruhc Gallery ; Mountebank with Dogs, Cassel Gallery ; Allegory on Human Life (1003), Copenhagen Gallery ; Peasants and Shepherds with Sheep and Goats (?), Darm- stadt Museum ; Diogenes and Boy, Maid milking Goat, Ox and Goats, Dresden Mu- seum ; Shepherd Boy with Goats and Sheep, Sick Goat attended by Girls, New Pinako- thek, Munich ; Parody on Art Criticism (1077), Animal Piece, Schweriu Gallery ; Landscapes with Animals and Figures (2), Stuttgart Museum ; Herd and Boy, Vienna Museum ; Landscapes with Cattle (7), Her- mitage, St. Petersburg ; Portrait, Land- 334