Page:Cyclopedia of Painters and Paintings, 1887, vol 2.djvu/368

 IXKERMAN Portrait of the Princess de Broglie, Apothe- osis of Napoleon I. (1853); The Virgin (1854, variation of Virgin with Host), Ministry of State ; JIMH of Arc holding the Oriflamme (1854), Louvre ; Virgin of Consolation (1850); La Sonnr (185(!), Louvre ; Saint Germaine de Pibrae (1857), Church of Sapiac ; Virgin of the Adoption (1857); Molierc dining with Louis XIV. (copy at Comedie-Francaise), Birth of tlic Muses (water-colour), The Spring (1858); portraits of his second wife and of himself (185!)), L'Hizi, Florence ; In- terior of a Harem (1804); Portrait of Mile. Flandrin (18(5(5); Sketch of Stratouice (1807). IHCdCS Merson, Ingres, sa vie et son u'livre (Paris, 18(i7); I' 1, de la Gencvais (do Mercey), Peiutres et sculpteurs modernes (Paris, 1840) ; Ch. Blanc, Ingres et son (uuvre ; Delaborde, Ingres, sa vie et ses travaux (Paris, 1870); Chesncau, I'einture franraise au XIX. siecle (Paris, 1883); IVrrier, Kt tides, 15 ; Gaz. des B. Arts (1801), ix. 341! ; (1801), x. 257 ; xi. 38 ; (1807), xxii. 105, 415 ; xxiii. 54, 103, 44:4 ; (1808), xxiv. 5, :i40 ; xxv. 80, 228; (1870), iii. 11:2; iv. 41)5; Mirccourt, Ingres (Paris, 1858); Silvestre, L'Apotht'ose de M. Ingres (Paris, 18(52); Rev, Biographic d'Ingres (Paris, 1807) ; Montrond, Ingres (Paris, 1809); Hamerton, French Painters; Macmillan's Mag., xxiv. 52 ; Contemporary Review, v. 458 ; Once a Week, xvi. 221 ; Art Journal (18(57), 105, 151; L'Artiste (1SG7), i. 102 ; Xeitschr. f. b. K., ii. 170. INKERMAN, RETURN FROM, Mrs. Elizabeth liutlcr, London ; canvas. Scene Soldiers returning over the crest of the hill after the battle of Inkerman. A strag- gling column of weary, wounded, and dying men, painfully marching along a rough hill- side ; to the right, slightly in advance, rides a young staff officer with a wounded bugler clinging to his stirrup to help himself along. Engraved by W. T. Da vey. Portfolio (1877), 100. INMAN, HENRY, born in Utica, N. Y., Oct. 20, 1801, died in New York, Jan. 1 7, 1846. Portrait, landscape, and genre painter, pu- pil of John W. Jarvis, in New York. In 1844 visited England, where he painted the portraits of Wordsworth, Dr. John Chal- mers, Lord Chancellor Cottenham, Macaulay, and other noted men ; among his American portraits are Bishop White, Chief Justice Marshall, Jacob Barker, and the two sons of Bishop Doane. Works: Rydal Falls Eng- land ; Newsboy ; Rip Van Winkle ; Boy- hood of Washington ; Ruins of Brambletye House (1870), Win. E. Dodge, New York ; Student, L. L. Stuart, ib.; October After- noon ; Portraits of Henry Rutgers and Fitz Greene Halleck (1828), Historical So- ciety, New York. At the time of his death Inman was engaged on a series of histori- cal pictures for the Capitol at Washington. His son, J. O'Brien Inman, genre painter, has lived in Rome since 1800 ; is an Asso- ciate of the National Academy, but rarely exhibits. INN, THE (L'Estaminet), Jan Sleen, Hague Museum ; canvas, H. 2 ft. 3 in. x 2 ft. 8 in. Twenty or more persons gathered in the tap-room of an inn, eating oysters, drinking, smoking, and playing trick-track. The upper part is covered with a large vio- let curtain, partly drawn up, beneath which is seen a balcony, and under that an ele- vated stage, on which a boy is lying down, blowing soap-bubbles. Sometimes errone- ously called Picture of Human Life. Bout sale, Hague (1733), 515 florins ; Benjamin d'Acosta sale, Hague (1764), 1,745 florins, to William TV. Engraved by Oortman in Musee franeais. Reveil, x. 688. 316