Page:Cyclopedia of Painters and Paintings, 1887, vol 2.djvu/196

 GOLTZIUS "Rest ; Quod erat demonstrandum. Illustr. Zeitg. (1882), ii. 435 ; Leixner, D. mod. K, ii. 07 ; Rundschau, xviii. 30G. GOLTZIUS, HENDRIK, born at Miihl- brecht, Duchy of Jnlich, in Feb., I 155S, died inHaar- 1cm, Dec. 29, 1010, or Jan. 1, 1017. Dutch school ; his to ry, portrait, and land- scape painter, al- though his great reputation rests upon his skill as an engraver, which was ex- ceptional. He did not begin to paint until he was forty-two years old. Unhappily married to a rich widow much older than himself, he lost his health, and by the ad- vice of his physicians travelled through Germany (1590), then went to Rome and (1592) to Naples. After his return to Haar- lem he suffered from the harsh climate and gradually declined. Ho was a versatile, skilful, and extravagant mannerist, who, like Spranger, delighted in forced attitudes and unnaturally-developed muscles, and carica- tured the style of Michelangelo, whom he endeavoured to emulate. Works : Female portrait, Brussels Museum ; Adoration of the Magi, St. Maurice Chapel, Nuremberg ; Adoration of the Shepherds, Stuttgart Gal- lery ; Ecce Homo, Gotha Gallery ; The Del- uge (1592), Oldenburg Gallery"; Titius at- tacked by the Vulture (1013), Haarlem Museum ; Mercury presenting the Eves of Argus to Juno (1015), Rotterdam Museum ; Adam and Eve, Wiesbaden Gallery; Circum- cision, Baptism of Christ, Adam and Eve, Hermitage, St. Peters- burg; Family Group, Historical Society, New York. Allgem. d. Biogr., ix. 301 ; Ch. Blanc, Ecole hol- landaise ; Immerxeel, i. 287 ; Kramm, ii. 584 ; Van der Willigeu, 133, 348. HEP GOMEZ, JACINTO, born at San Udefon- so in 174G, died in 1812. Spanish school. History painter, pupil of Francisco Bayeu ; chamber painter to Charles IV. Works : The Angelic Hierarchy adoring the Holy Spirit, Madrid Museum. GOMEZ, SEBASTIAN, called El Mulato dc Murillo, born about 1040 (?), died in Se- ville in 1082 (?) or 1000 (?). Spanish school, the mulatto slave of Murillo ; learned his art by watching his master at work. Accord- ing to the story, he ouce ventured to finish a Virgin's head which had been sketched by Murillo, who thereupon encouraged and aided him. His pictures, mostly religious subjects, are defective in drawing and in composition, but are much like Murillo's in colouring. Works : Holy Family, Seville Cathedral ; Conception, Seville Museum ; St. Francis of Assisi, Hermitage, St. Peters- burg. Stirling, ii. 928 ; Viardot, 220 ; Cur- tis, 340. GONNE, (CHRISTIAN) FRIEDRICH, born in Dresden, May 30, 1813. Genre, history, and portrait painter, pupil of Dres- den and Antwerp Academies ; lived then in Berlin, Munich, and Rome, visited France, England, and Sweden, and became professor at the Dresden Academy in 1857. Honor- ary member of the Dresden Academy in 1854, and of Antwerp Academy in 1859. Works : Card-Players ; Antiquary ; Robber's Repentance ; Ballad-Singer ; Conventional Marriage ; Kiss of Judas ; Burning Mem- ories (1809), Kunsthalle, Hamburg ; Lady Macbeth (1872) ; Banquet in 10th Century (1874) ; Portrait of King John of Saxony, City Hall, Leipsic ; Clown in State of De- jection, Pennsylvania Academy, Philadel- phia. Brockhaus, viii. 190 ; Miiller, 212. GONZAGA, FEDERIGO, Marquis of Mantua, portrait, Raphael, lost (?). Begun in 1513, but left unfinished. Represents a young man of great beauty, dressed in black, with a white shirt, and a red cap on his head. Waageu and Passavant think it the portrait at Charlecote Park, near Warwick, England, which was formerly in collection 156