Page:Cyclopedia of Painters and Paintings, 1887, vol 2.djvu/187

 GIROLAMO 1857, 3,100 francs. Bellier do In Chavig- and 1520, are in the Berlin Museum ; Ma- nerie, i. 601 ; Ch. Blanc, Keolc francaise ; donna and Saints, dated 1518, L'Annun/i- Villot, Cat. Louvre ; Gaz. des 11 Arts (1S74|, ata, Panna ; Marriage of the Virgin, and x. 464 ; Gauticr, Guide au Louvre, IIJ ; the Annunciation, Nativity, and Flight into Meyer, Gesch., 91. Egypt, in a predella, Bologna Pinae. Va- GIROLAMO DI BEXVEXUTO, born in sari says lie was chiefly known as a portrait 1470, died in 1524. Sienesc school ; son painter. ('. C., X. Italy, i. <!01 ; Vasari, and pupil of Ben venuto del Guasta. Painted ed. Mil., v. 1*2; Cli. Blanc, Eeolebolonaise. in 1508 a Virgin of the Snow, in S. Donien- GIROLAMO DAI LIHRI, born in Verona ico, Siena, which, though resembling his in 1474, died July 22, 1555. Venetian father's productions, is more pleasing, school. Son of Francesco dai Libri, a inin- There are several pictures by him in the iaturist (or illuminator of books, whence he Siena Academy, and a S. Chiara with a got his name), of whom no vestige has been kneeling Pilgrim in the Osservanza out- preserved, and grandson of Stefano da /evio. side Siena. 0. <t C'., Italy, iii. 71!. His first picture, Christ deposed from the GIROLAMO BRESCIANO. See ,SVa,W</.,. Cross, in the Church of Malscsinc, painted GIKOLAMO DA CARPI, born at Ferrara when sixteen years old, is an illustration of about 1501, died about 15(11. Lombardo- liis education in the school of a miniaturist, Ferrarese school. Real name de' Sellari or but in his later works, inspired by a deep de" Livizzani, but called da Carpi because study of the Mantcgnesques, lie exhibits the his father, Tommaso, was born there. Pu- form and the spirit of a greater art. His pil of Benvenuto Garofalo ; afterwards Madonna and Saints, lately in Hamilton painted at Bologna, and later studied works Palace, near Glasgow, is a good example of of Correggio and Parmigianino in Modcna this style. Later he shows the influence of and Parma. Though he imitated them, he Francesco Moroni 1, as in the Madonna and was not a servile copyist, but had a style of Saints, Berlin Museum. Still later he ac- his own. Painted in fresco and in oil, and quires a more modern treatment in (-very was very successful in port raits ; was also an branch of pract ice, as seen in the Concep- architect. Among his works are: Adora- tion, in S. Paolo, Verona. The culminating tion of the Magi, and Madonna, Bologna point in his career is reached in the Virgin Academy ; Christ in the House of Martha in Glory and the Madonna and Saints and Mary, Uth'xi, Florence; Entombment, (15:50), Verona Museum; and in the Ma- Palazzo Pitti, ib. ; Portrait of Archbishop donna and St. Anne, National ( lallery, Lon- Salimbeni, ib. ; Christ on the Mount of 1- don. Beginning as a miniaturist, he rose to ives, ib.; Venus and Cupid, Dresden Gal- a high place amongst the painters of North lery. Vasari, ed. Mil., vi. 400; Lanzi, iii. Italy, being neither a plagiarist noraservilo 204 ; Ch. Blanc, EYole ferraraise ; Cittadella, copyist. His son, Francesco (born 1500), Memorie di . . . Garofalo (Ferrara, 1872); was a miniature and oil painter. C. <V ('., Lavice, 0.'5. X. Italy, i. 4'M ; Burekhardt, (IOC, ; Liibke, GIHOLAMO DA COTIGXOLA, born in Gesch.'d. ital. Mai., ii. 578. Cotignola about 1481, died in 1550. Bo- GIROLAMO DA SAXTA CROCK, born lognese school. Heal name Girolamo Mar- at Santa Croec ('!), near Bergamo, flourished cLesi, son of Antonio M. ; pupil of /aga- at Venice in 1520-4!). Venetian school; nelli (?) and of Francesco Franeia, but in his history and landscape painter, perhaps pu- later days an imitator of Raphael and Michel- pil and assistant of Francesco da Santa angelo. A Nativity of 1513, in his early Croce, of whom he may and may not have style, is in Lord Ashburton's Collection, been a relative ; further developed under Examples of his later manner, dated 1516 influence of Giovanni Bellini and the great 147