Page:Cyclopedia of Painters and Paintings, 1887, vol 2.djvu/174

 GIAMBOKO About and of Jules David. His pictures GIBRALTAR, SIEGE OP, John Single- have a certain elegance of style and are ton Copley, Guildhall, London ; canvas, agreeable in colour. Medals in 1804, 18G5, Scene : the repulse of the Spanish floating and 1800 ; L. of Honour, 1807. Works : batteries ; the firing has partly ceased, and Martyrdom of St. Hippolytus, Nymph and the English officers are endeavouring to res- Satyr (18(11), Besancon Museum ; Love cue the sufferers from the burning vessels, quenching his Thirst (1803); Agrippina Painted in 1789-90 for Court of Common leaving the Camp (1804), Lillo Museum ; Council of City of London. Study (4 ft, 4 Abducfion of Amymonc (18(55), Luxem- ' in. x C ft. 2 in.) in National Gallery; en- bourg Museum ; Christ blessing Little Chil- graved by William Sharp. Cat. Nat. Gal. dren (1867); Cormela's Last Pin (1868); Pen- GIDE," THKOPHILK, born in Paris, tecost (1870); Cupid and Venus (1878); j March 15, 1822. History and genre painter, Calvary, The Cemetery (1875); Soimino pupil of Delaroche and Cogniet. Usually (1870); Night (1877); Christ among the ! paints scenes from life in Italian monas- Doctors, Christ blessing the Children, De- teries. Medals : 3d class, 18G1 ; Medal, scent of the Holy Ghost, St. Etienne du 1805, 1800; L. of Honour, 1800. Works: Mont, Paris ; Portraits of Generals Marulax Condemnation of Cinq Mars (1855); Raising and Morand, Hotel do Ville, Besan<;on ; of Youth at Nain (1857); Sully leaving the Portrait of Chancellor d'Aguesseau, Palais Court of Louis XIII. (1863), Angers Muse- de Justice, Paris; La Giottina (1879); Gen- um ; Farewell to the Convent (1804), Ami- taur and Nymph (1880); Innocence (1884). i ens Museum; Neapolitan Singer (1804); Bellier dc la Chavignerie, i. f>43 ; La- Studious Monks (1805), Alem;on Museum ; rousse. Pius IX. visiting a Convent ; Practising a GIAMBOXO, MICH E L E, Venetian Musical Mass (1800), Roubaix Museum ; school, middle of 15th century. A humble School ; Letter of Recommendation, Co- follower in the path of Jacobello del Fiore, ligny visited by Charles IX., Two Bad Ac- but showing an improvement in technical quaiixtanees, Cooper's Shop (1874); Indis- handling, due to the study of Gentile da creet Confidence, Another Glass ! (1875); Fabriano and of Pisanello. Giambono Charles IX. forced to sign the Order for the treated mosaic with more skill than painting. Massacre of the Huguenots (1870); Interior C. & C., N. Italy, i. 13 ; Lermolieff, 395. of St. Mark's in Venice, Louis XI. surprised GIANNICOLA BITTI. Sec .llmini. by his Fool when at Prayer (1877); Young GIANNU/7J, GIULIO PIPPI DE'. See Invalid (1878); Othello narrating his Ad- Ginlio Romano. ventures, Father Fiorista (1879); Marie An- GIBERT, JEAN BAPTISTE ADOLPHE, toiuettc in the Conciergerie (1880); Cavalier born at Pointe a Pitre, Guadeloupe, January and Maid-Servant, Interior of a Monastery 24, 1803. Landscape painter, pupil in Paris in Nice (1881); Mazarin receiving a Mes- of Gnillon-Lethirre and of the Ecole des senger (1882); The Importunate Person, Beaux Arts ; obtained in 1829 the grand Visitors to the Palace of Fontainebleau prix de Rome, in which city he settled. (1883); Take Care! Checkmate (1884); No Works : Forest of Nettuno ; Battle of Eck- Jesting with edged Tools (1885). Bellier mi'thl, Versailles Museum ; Calydoniau Boar- de la Chavignerie, i. 045. Hunt; Banks of the Teverone (1850); Acrop-j GIERYMSKI, MAX, born at Warsaw, olis of Athens (1853); View in Pontine Oct. 15, 1846, died at Reichenhall, Bavaria, Swamps (1855), Avignon Museum ; View of Sept. 10, 1874. Landscape and genre paint- Ardea (1859); View of Abu Mandarin Egypt I er, pupil of Munich Academy under Alex- (1863); View from Terrace of French Acad- ander Wagner, then of Franz Adam, and emy in Rome (1872); Views in Sicily. j later led to landscape by Eduard Schleich. 134