Page:Cyclopedia of Painters and Paintings, 1887, vol 1.djvu/539

Rh ; Holy Family, Accademia di S. Luca, Rome; Christ on Cross, Entombment, Palazzo Borghese, ib.; Madonna, Palazzo Corsini, ib.; Children of Charles I., Princess Isabel of Spain, Prince Thomas of Savoy, Holy Family, Turin Gallery; Crucifixion, portrait of Charles I., do. of a Lady, Historical Society, New York.—Guiffrey, Van Dyke, sa vie et son œuvre (Paris, 1882); Michiels, Van Dyck et ses élèves (Paris, 1882); Carpenter, Memoirs (London, 1844); Wibiral, Iconographie de Van Dyck (Leipsic, 1877); Dohme; Rendell, Van Dyck (London, 1881); Ch. Blanc, École anglaise; Gaz. des B. Arts (1881), xxiv. 504; Graph. K, i. 69; iv. 89; Kunst-Chronik, xix. 712; Zeitschr. f. b. K., v. 304, 366; vi. 2G4; xi. (Mittheilungen, iv. 8); xii. 388; xvii. 193; xviii. 316.

DYCK (Dijk), PHILIP VAN, called the Little Van Dyck, born in Amsterdam, Jan. 10, 1683, died at The Hague, July 2, 1753. Dutch school; portrait and genre painter, pupil of A. Van Boonen. He worked for some time at Amsterdam, The Hague, Middleburg, and as court painter to Landgraf of Hesse in Cassel, where he founded the gallery. Painted also mediocre biblical pictures. His genre pieces in the manner of Gerard Dou and Mieris are very pleasing. Works: Judith (1726), Lute-Player, The Toilet, Bookkeeper, National Museum, Amsterdam; Lady at Toilet, Brussels Museum; Lute-Player (1727), Drawing Lesson (1728), Berlin Museum.—Kugler (Crowe), ii. 540; Ch. Blanc, École hollandaise; De Stuers, 27.

DYCKMANS, JOSEPH LAURENS, born at Lier, Belgium, Aug. 9, 1811. Genre painter, pupil of Thielemans and Vervoort, then of Wappers; his pictures, mostly on a small scale, together with the similarity of subjects, won him the surname of the Belgian Gerard Dow. In 1841-54 he was professor at the Antwerp Academy, and in 1870 was made member. Works: Declaration of Love (1834); Paternal Lesson (1835); Playing at Chequers (1836); Piano Lesson (1837); Household Account (1838); Lace Maker (1839); Vegetable Market (1840); Grandmother's Fairy Tale (1841); Spinning Maiden (1842); Embroideress (1843); Old Woman Sewing (1843); Old Woman plucking a Hen (1844), Museum Fodor, Amsterdam; Reading the Bible (1845); Lady of Fashion (1846); Rigolette (1847); Old Lace-Maker (1848), Blind Beggar (1852), Antwerp Museum; The Marchioness (1854); Dressing the Bride, Sailor's Widow (1855); Motherly Love (1856); Expectation (1858); Occasion makes Thieves (1860); Magdalen at the Cross (1862); Spring (1870); Grandmother's Birthday (1871), South Kensington Museum; Old Woman Praying (1872); Magdalen Penitent (1873); The Divided Breakfast, Child Lost in the Woods (1874); Street-Singer, Good News, Siesta, Young Shepherdess (1878); The First Born (1879).—Brockhaus, v. 686; Müller, 150.

DYER, CHARLES GIFFORD, born in Chicago, Ill., in 1846. Landscape painter, pupil of Jacquesson de la Chevreuse in Paris, of the Royal Bavarian Academy in 1871, and of David Neal in Munich in 1876. Has sketched and painted in Rome, Venice, Egypt, and Syria. Studio in Munich. Works: St. Mark's, Venice (1874); On Linden when the Sun was Low; Venice at Birth of Day; Morning on the Riva at Venice; Historical Still-Life of the 17th century (1878).