Page:Cyclopedia of Painters and Paintings, 1887, vol 1.djvu/466

 DAWSON and pupil of Philip Dawe, engraver (died about 1780), student in 1794 at Royal Acad- emy, of which elected A.R.A. in 1809, and R.A. in 1814. Painted at first historical subjects, but most noted for his portraits. He painted for the Duke of Kent officers distinguished in the Battle of Waterloo. In 1819 went to Russia at invitation of the Em- peror, to paint officers prominent in wai's of Napoleon, and in nine years made 400 por- traits, now in the Hermitage. Princess Charlotte, Dr. Samuel Parr, National Por- trait Gallery. Redgrave ; Arnold, Library of Fine Arts (1831); Ch. Blanc, Ecole au- glaise ; Sandby, i. 345. Rainbow at Sea. Art Journal (1879), 48 ; Portfolio (1883), 127. DEATH, BAY OF. See Starvation Cove. DEATH ON THE PALE HORSE, Ben- jamin West, Pennsylvania Academy, Phila- delphia ; canvas, H. 14 ft. 10 in. x 25 ft. 2 in. Scene from Revelation vi. In centre, Death, armed with irresistible darts, rides the pale horse which, unbridled, rushes onward, trampling down all ages and conditions, fol- lowed closely by the monstrous progeny of hell ; on the right, the rider on the white horse armed with the bow, the rider on the red horse with the sword, and behind them the rider on the black horse with the bal- Death on the Pale Horse, Benjamin West, Pennsylvania Academy, Philadelphia. DAWSON, HENRY, born at Hull in 1811, died at Chiswick, Dec. 13, 1878. His father removed during his infancy to Nottingham, where the lad worked in a lace factory until twenty-four years old, when he devoted him- self to landscape painting. In 1849 he re- moved to London, but laboured many years before his genius won recognition. He earned as much during the last six years of his life as in all his previous career. In 1875 his Wooden Walls sold for nearly 1,500, and in 1876 his Pool from London Bridge for 1,400. Other works : Sherwood Oaks, Nottingham from Wilford Hill, Dur- ham Cathedral (1876); London at Sunset, ances ; on the left, the conflict of men with the beasts of the forest. Painted in 1817 ; bought, at the sale of the painter's pictures (1829), and taken to America. Engraved in outline by Normand. Reveil (Hamilton), iv. 286. DEATH, TRIUMPH OF, fresco, Campo Santo, Pisa, formerly attributed to Andrea Orcagna, now assigned by C. <t C. to a painter of the Sienese school, perhaps Pietro Loren- zetti ; and by Milanesi to Bernardo Daddi. Foreground, in three groups. To left, the warning : Three kings on horseback, with attendants, check their horses before three open coffins containing the mouldering re- 378