Page:Cyclopedia of Painters and Paintings, 1887, vol 1.djvu/385

 COCK (1868) ; Morning in the Woods (1869) ; Storm in Normandy, Path at Sevres (1870) ; Spring-Time in Woods, Stream in Woods (1872) ; River in Woods (1873) ; Road to Washing Place, Courtyard of Farmhouse in Gasny, Brook in the Woods (1874); In Spring-Time, Old Mill, Banks of the Ebro (1875); Banks of the Ept, Woods on Banks of the Ept (1880); Sluice, Old Willow (1881); Flock of Sheep (1882); Charbonel Manufactory at Gasny (1883). Larousse ; Gaz. des B. Arts (1869), i. 511. COCK, XAVIER DE, born in Ghent; contemporary. Landscape painter. Medal, Paris, 3d class, 1857. Works: Autumn, Cows and Goats (1872) ; Herd of Cows, Sheep in an Autumn Landscape (1873) ; Cows, A Forest, Harvesters (1874); A For- est, Cows (1876) ; Sheep in Autumn (1878) ; Yoke of Oxen (1879) ; Oxen in a Meadow, A Cascade (1880) ; Cow at a Drinking-Place (1881); Flock of Sheep (1882); Woods in Au- tumn, Oxen on the Lowland (1883). L'Art (1876). COCK FIGHT (Combat de Coqs), Jean Loon Gerdme, Luxembourg Museum, Paris ; canvas, H. 4 ft. 7 in. X 6 ft, 6 in. A young Greek, nude, kneeling at right on one knee, setting two cocks to fighting ; behind, a young woman, nearly nude, is seated watch- ing the combat Figures, life-size. Salon, 1847 ; medal, 3d class. COCX. See Coques. COCXIE. See Coxcyen. CODDE, PIETER, born in Amsterdam before 1610, died about 1660 (?). Dutch; school ; genre painter, principally of social reunions and military scenes in the style of Palamedes ; probably formed himself at Haarlem under the influence of Frans and Dirk Hals ; spirited conception and fine ; colouring. Painted figures in pictures of| Dirk van Deelen. Works : Flute Player, Haarlem Museum ; The Ball (1636), Game l of Trictrac, Mauritshnis, Hague ; Peasants at Meal surprised by Catchpolls (attributed to A. Duck), Copenhagen Gallery ; Company of Six (attributed to J. le Ducq), Stockholm j Museum ; Guard-room, Carlsruhe Gallery ; I do. Gottingen Gallery ; Robber Scene (at- j tributed to C. Bega), Brunswick Gallery ; ' { Musical Company (attributed to Cocx), ! Speyer Gallery ; Company at Table (1634), Emden Gallery ; do., Schleissheiin Gallery ; Preparation for Carnival, Berlin Museum ; Stable with Soldiers, Musical Company, Schwerin Gallery ; Dancing Lesson (1627), E. von Sievers, Dorpat ; Soldiers with a Girl (1628), Soldiers pilfering Peasant's .Cottage (attributed to A. Duck), Dresden I Gallery ; Musical Com- _ pany, Liechtenstein Gal- */00<)^, IL/ lery, Vienna; Guard-room ' (166-), Borghese Gallery, Rome; Seamstress, Assembly, Fitzwilliam Museum, Cambridge. Bode, Studieu, 141; Havard, A. .V A. holL, iiL 139. COELLO, ALONSO SANCHEZ. See Sanchez-Coello. COELLO, CLAUDIO, born in Madrid about 1635, died there, April 20, 1693. Spanish school ; son of Faustino Coello, sculptor; pupil in drawing of Fran- cisco Rizi; won the friendship of Car- refio, who obtain- ed for him admis- sion to the royal galleries, where he studied Titian, Rubens, and other great masters. After executing important works in Toledo and Saragossa, he returned to Madrid, was made painter to the king in 1684, and on the death of Carreno succeeded to all his hon- ours at court Coello's masterpiece, the Collocation of the Host, in the Escorial, cost him two years' labor. In 1691 he was appointed painter to the Cathedral of Tole- do, but his satisfaction in this and other advantages which he enjoyed was counter- balanced in the following year by the arrival of Luca Giordano, called by theKingof Spain soa