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1547; Strasburg, 1577, 1624. “Wunderbare Geschichte von der edeln und schönen Melusina, welche eine Tochter des Königs Helmus und ein Meerwunder gewesen ist;” Nürnberg, without date; reprinted in Marbach’s “Volksbücher.” Leipzig, 1838.

In the fable of Melusina, there are several points deserving of consideration, as—the framework of the story, the half-serpent or fish-shape of Melusina, and her appearances as warnings of impending misfortune or death. The minor details, as, for instance, the trick with the hide, which is taken from the story of Dido, shall not detain us.

The framework of the myth is the story-radical corresponding with that of Lohengrin. The skeleton of the romance is this—

1. A man falls in love with a woman of supernatural race.

2. She consents to live with him, subject to one condition.

3. He breaks the condition and loses her.

4. He seeks her, and—α. recovers her; β. never recovers her.

In the story before us, the last item has dropped out, but it exists in many other stories which have sprung from the same root. The beautiful legend of Undine is but another version