Page:Culture and Anarchy, Third edition, 1882, Matthew Arnold.djvu/229

Rh one who wants to be a painter or a poet cannot help loving and admiring the great painters or poets, who have gone before him and shown him the way.

But it is strange with how little of love, admiration, or enthusiasm, the world regards us and our freedom, our bodily exercises, and our industrial prowess, much as these things themselves are beginning to interest it. And is not the reason because we follow each of these things in a mechanical manner, as an end in and for itself, and not in reference to a general end of human perfection; and this makes the pursuit of them uninteresting to humanity, and not what the world truly wants? It seems to them mere machinery that we can, knowingly, teach them to worship,—a mere fetish. British freedom, British industry, British muscularity, we work for each of these three things blindly, with no notion of giving each its due proportion and prominence, because we have no ideal of harmonious human perfection before our minds, to set our work in motion, and to guide it So the rest of the world, desiring industry, or freedom, or bodily strength, yet desiring these not, as we do, absolutely, but as means to something else, imitate, indeed, of our practice what seems useful for them, but us, whose practice they imitate, they seem to entertain neither love nor admiration for.