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 by accepted tradition? Let him rest. A more important effect is that the unfelt pressure of general opinion produces not merely sham professions, but genuine sentiments. Fashion, whether in clothes or operas, whether in manners or in morals, (as I have shown elsewhere) is an influence which, though it may produce some hypocrites, most certainly produces many true believers. And tradition, though infinitely more than mere fashion, is fashion still.

These considerations require us largely to discount the agreement prevalent in current estimates of literature and art. But there is a more important point still to be noted, which yet further diminished the value of any conclusions which that agreement may seem to support. For we are bound to ask how deep the agreement goes even in the cases where in some measure it may be truly said to exist. Do critics who would approximately agree in their lists of great artists, agree as to the order of their excellence? Do men of 'trained sensibility' feel alike in the presence of the same masterpiece? I do not believe it. The mood of admiration aroused by style, by technical skill, by the command of material and instruments, may well form a common ground where competent critics will find themselves in decent agreement. But as the