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theme of this paper is Beauty and the criticism of Beauty; aesthetic excellence and its analysis. From prehistoric times men have occupied themselves in producing works of Art: since the time of Aristotle they have spent learned energy in commenting on them. How much are we the wiser? What real insight do the commentaries give us into the qualities which produce aesthetic pleasure, or into the marks which distinguish good art from bad?

Any man desirous of obtaining answers to questions like these would naturally turn in the first place to the history of criticism, and if he did so he would certainly be well rewarded. It may be doubted, however, whether the reward would consist in the satisfaction of his curiosity. For in proportion as criticism has endeavoured to establish principles of composition, to lay down laws of Beauty, to fix criterions of excellence, so it seems to me to have failed: its triumphs, and they are great, have been won on a different field. The critics who have dealt most successfully with theory