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 its own bright surface meaning. The publisher's announcement suggests that Miss Cather actually intended to describe academic life. She is here addressing herself, we are informed, "to those who do not know or who doubt the American youth, to those who may be interested in the environment which their sons and daughters find in college."

The novel does, to be sure, present Godfrey St. Peter—a man of mixed French and American ancestry—professor of European history in a state university near Lake Michigan; his wife, Lillian—a woman of some elegance and beauty, with whom he seems to have almost nothing to do; the two married daughters and their husbands; the seamstress, Augusta; the professor's favorite pupil, Tom Outland, explorer of cliff-dwellings and inventor, killed in the war, and a colleague or two. The professor has completed his life work, an eight-volume history of the Spanish Adventurers in North America. He has received a big money prize from Oxford. And the family is moving into the new house which he, or perhaps rather his wife, has built with the reward of his labors.

What happens after that point would strike me as inconclusive, slightly incoherent, and without vital thesis, if I did not regard "The Professor's House" as an Ibsenish title—as Ibsenish as "The Doll's House." There is more in this house than meets the eye; but let us consider first what meets the eye.

The professor's former house was a poor old place, lacking many modern improvements, inconvenient, and as ugly as a house could be. It had a tin bathtub which the professor used to renovate with porcelain paint. It had a garret study. The professor wrote his "Spanish Adventurers" in a wretchedly bare little