Page:Crime and Punishment - Garnett - Neilson - 1917.djvu/238

 206 might be described as really beautiful. Her hair was dark brown, a little lighter than her brother's; there was a proud light in her almost black eyes and yet at times a look of extraordinary kindness. She was pale, but it was a healthy pallor; her face was radiant with freshness and vigour. Her mouth was rather small; the full red lower lip projected a little as did her chin; it was the only irregularity in her beautiful face, but it gave it a peculiarly individual and almost haughty expression. Her face was always more serious and thoughtful than gay; but how well smiles, how well youthful, lighthearted, irresponsible, laughter suited her face! It was natural enough that a warm, open, simple-hearted, honest giant like Razumihin, who had never seen anyone like her and was not quite sober at the time, should lose his head immediately. Besides, as chance would have it, he saw Dounia for the first time transfigured by her love for her brother and her joy at meeting him. Afterwards he saw her lower lip quiver with indignation at her brother's insolent, cruel and ungrateful words—and his fate was sealed.

He had spoken the truth, moreover, when he blurted out in his drunken talk on the stairs that Praskovya Pavlovna, Raskolnikov's eccentric landlady, would be jealous of Pulcheria Alexandrovna as well as of Avdotya Romanovna on his account. Although Pulcheria Alexandrovna was forty-three, her face still retained traces of her former beauty; she looked much younger than her age, indeed, which is almost always the case with women who retain serenity of spirit, sensitiveness and pure sincere warmth of heart to old age. We may add in parenthesis that to preserve all this is the only means of retaining beauty to old age. Her hair had begun to grow grey and thin, there had long been little crow's foot wrinkles round her eyes, her cheeks were hollow and sunken from anxiety and grief, and yet it was a handsome face. She was Dounia over again, twenty years older, but without the projecting underlip. Pulcheria Alexandrovna was emotional, but not sentimental, timid and yielding, but only to a certain point. She could give way and accept a great deal even of what was contrary to her convictions, but there was a certain barrier