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420

Bowlers (cont.): :Saunders, 21
 * Searle, 21
 * Shaw, Alfred, 38, 78, 83, 84, 125, 151, 192, 207, 214, 291, 310, 315, 322, 323, 361, 367
 * Shaw, J. C, 156, 291, 302, 323, 355, 358
 * Shrewsbury, 273
 * Silcock, 116
 * Slim, 31
 * Southerton, 83, 278
 * Spofforth, 23, 100, 124, 125, 137, 138, 152, 153, 166, 168, 171, 193, 243, 260, 270, 278, 279, 311, 315-318, 322, 323, 325, 369, 406
 * Steel, 368
 * Stephenson, 364
 * Stratford, 172
 * Tarrant, 47, 57, 165, 365, 366, 387
 * Taylor, 363
 * Thewlis, 355
 * Thornton, C. I., 185
 * Tinley, 31, 160
 * Toppin, 164
 * Tylecote, 174
 * Ulyett, 164, 213, 279, 368, 406
 * Vigne, 357
 * Walker, 353
 * Walker, Tom, 19, 22, 24, 35, 356
 * Walker, V. E., 160, 401
 * Watson, 77, 368
 * Wenman, 358, 362
 * Wheeler, 354
 * Whitby, 164
 * Willes, 19, 21, 22, 98
 * Willsher, 23, 364-366, 387
 * Wisden, 362, 364
 * Wootton, 213, 310
 * Wright, W, 354
 * Yonge, George, 361
 * (See also under University Cricketers)

Bowling, art of, 96; present contrasted with past, 97; falling off in amateur, 99; at the public schools, 99, 100; the professional bowler, 101-106, 354; object of the bowler, 106; the four motions of the ball and their intention, 107; the spin from right to left, or leg-break, 108-116; placing fieldsmen for leg-break balls, III; rotary motion of ball from left to right, or off break, 117; what becomes of likely balls if not well played, 118; break-back, 119, 121, 142; fast off break, 120; playing off breaks, 121; upward vertical spin, 122; downward vertical spin, 122; combinations of spin, 123; change of pace, 123-126; high delivery, 126; advantages of slow delivery, 126-130; two exceptions to putting on slows, 128; yorkers, 132, 168; leg half-volleys, 135; good-length ball outside off stump, 135; bowling player off his legs, 137; from different distances, 138; choice of ends, by the slow bowler, 139; taking advantage of peculiarities of time and ground, 140; avoidance of singularity of dress or manner, 141; changing from over to round the wicket, 141; varieties of full-pitch,