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214 are the poor, for my son supports and fattens them. What else did you see?" "I saw a sow with her tail full of knots." "That, my son, is those who repeat their rosaries and do not offer their prayers to me or to my son; and my son makes knots in them." "I also saw a watering-trough, with a toad that was reaching after a crumb of bread, and could not get it." She said: "A poor person asked a woman for a bit of bread, and she gave his hand such a blow that she made him drop it. And what else did you see, my son?" "Nothing, lady." "Then come with me, and I will show you something else." She took him by the hand and led him into hell. When the poor youth heard the clanking of chains and saw the darkness, he came near dying, and wanted to get out. "You see," said the lady, "those who are lamenting and in chains and darkness are those who are in mortal sin. Now come, and I will take you to purgatory." There they heard nothing, and the darkness was so great that they could see nothing. Vincenzo wished to depart, for he felt oppressed by anguish. "Now," said the lady, "I will take you to the church of the Holy Fathers. Do you see it, my son? This is the church of the Holy Fathers, which first was full and now is empty. Come; now I will take you to limbo. Do you see these little ones? These are those who died unbaptized." The lady wished to show him paradise; but he was too confused, so the lady made him look through a window. "Do you see this great palace? There are three seats there; one for you, one for your master, and one for your mistress." After this she took him to the gate. The horse was no longer there. "Now," said Vincenzo, "how shall I find my way back? I will follow the tracks of the horse, and so will get home." The lady answered: "Close your eyes!" Vincenzo closed his eyes, and found himself behind his master's door. When he entered he told all that had occurred to his master and mistress. When he had finished his story all three died and went to paradise.18

The most famous story of the class we are now considering is, however, the one best known by its French title,