Page:Cousins's Short Biographical Dictionary of English Literature.djvu/150

138 brought to an end by the passing of the Licensing Act, 1737, making the imprimatur of the Lord Chamberlain necessary to the production of any play. F. thereupon read law at the Middle Temple, was called to the Bar in 1740, and went the Western Circuit. The same year saw the publication of Pamela, which inspired F. with the idea of a parody, thus giving rise to his first novel, Joseph Andrews. As, however, the characters, especially Parson Adams, developed in his hands, the original idea was laid aside, and the work assumed the form of a regular novel. It was pub. in 1742, and though sharing largely in the same qualities as its great successor, Tom Jones, its reception, though encouraging, was not phenomenally cordial. Immediately after this a heavy blow fell on F. in the death of his wife. The next few years were occupied with writing his Miscellanies, which contained, along with some essays and poems, two important works, A Journey from this World to the Next, and The History of Jonathan Wild the Great, a grave satire; and he also conducted two papers in support of the Government, The True Patriot and The Jacobite Journal, in consideration of which he was appointed Justice of the Peace for Middlesex and Westminster, and had a pension conferred upon him. In 1746 he set convention at defiance by marrying Mary MacDaniel, who had been his first wife's maid, and the nurse of his children, and who proved a faithful and affectionate companion. F. showed himself an upright, diligent, and efficient magistrate, and his Inquiry into the Increase of Robbers (1751), with suggested remedies, led to beneficial results. By this time, however, the publication of his great masterpiece, The History of Tom Jones, a Foundling (1749), had given him a place among the immortals. All critics are agreed that this book contains passages offensive to delicacy, and some say to morality. This is often excused on the plea of the coarser manners of the age; but a much stronger defence is advanced on the ground that, while other novelists of the time made immorality an incentive to merriment, F.'s treatment of such subjects, as Lowell has said, "shocks rather than corrupts," and that in his pages evil is evil. On the other hand, there is universal agreement as to the permanent interest of the types of character presented, the profound knowledge of life and insight into human nature, the genial humour, the wide humanity, the wisdom, and the noble and masculine English of the book. His only other novel, Amelia, which some, but these a small minority, have regarded as his best, was pub. in 1751. His health was now thoroughly broken, and in 1753, as a forlorn hope, he went in search of restoration to Lisbon, where he d. on October 8, and was buried in the English cemetery. His last work was a Journal of his voyage. Though with many weaknesses and serious faults, F. was fundamentally a man of honest and masculine character, and though improvident and reckless in his habits, especially in earlier life, he was affectionate in his domestic relations, and faithful and efficient in the performance of such public duties as he was called to discharge. thus describes his appearance, "His figure was tall and stalwart, his face handsome, manly, and noble-looking; to the last days of his life he retained a grandeur of air and, though worn down by disease, his aspect and presence imposed respect upon people round about him."