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 64 clear exposition of that precise phase of life which novelists, as a rule, decline to elucidate. Cashel Byron is a prize-fighter, a champion light-weight, well-born (though he does not know it) and of cleanly life; but nevertheless a prize-fighter, with the instincts, habits, and vocabulary of his class. A young woman, rich, refined, bookish, brought up in a rarefied intellectual atmosphere which has starved her healthy sentiment to danger point, falls helplessly in love with his beauty and his strength, and marries him, in mute desperate defiance of social laws. The story closes at this point, but the author adds a brief commentary, designed to explain the limited possibilities of happiness that exist for the ex-pugilist and his wife.

"Cashel's admiration for Lydia survived the ardour of his first love for her, and she employed all her forethought not to disappoint his reliance on her judgment. She led a busy life, and wrote some learned monographs, as well as a work in which she denounced education as practised in the universities and public schools. Her children inherited her acuteness and refinement, with their father's robustness