Page:Compendium of US Copyright Office Practices, II (1984).pdf/213

 800-49 V.PHONORECORDS A. Disc rather than tape. B. With special enclosures rather than without. C. Open-reel rather than cartridge. D. Cartridge rather than cassette. E. Quadraphonic rather than stereophonic. F. True stereophonic rather than monaural. G. Monaural rather than electronically rechanneled stereo.

VI. MUSICAL COMPOSITIONS A. Fullness of Score:
 * 1, Vocal music:
 * a. With orchestral accompaniment—
 * i. Full score and parts, if any, rather than conductor's score and parts. if any. (In cases of compositions published only by rental, lease, or lending, this re­quirement is reduced to full score only.)
 * ii. Conductor's score and parts, if any, rather than con­densed score and parts, if any. (In cases of compo­sitions published only by rental, lease, or lending, this requirement is reduced to conductor's score only.)
 * b. unaccompanied: Open score (each part on separate staff) rather than closed score (all parts condensed to two staves).
 * 2. Instrumental music:
 * a. Full score and parts, if any, rather than conductor's score and parts, if any. (In cases of compositions published only by rental, lease, or lending, this re­ quirement is reduced to full score only.)
 * b. Conductor's score and parts. if any, rather than con­densed score and parts, if any. (In cases of compo­sitions published only by rental, lease, or lending, this requirement is reduced to conductor's score only.)

B. Printing and Paper: 1. Archival-quality rather than less-permanent paper.

C. Binding and Packaging: 1. Special limited editions rather than trade editions. 2. Bound rather than unbound. 3. If editions have different binding, apply the criteria in I.A.2-I.A.12, above. 4. With protective folders rather than without. [1984]