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 and wide for my talk, and somewhat of a free thinker.

The noble Lord did not seem much impressed by this information, but he showed a faint interest in my insignificant personality when his host told him that my work had been admired by princes of his acquaintance, and he soon fell into ecstasies when they showed him the fountain I had made in the courtyard. It is a girl with her skirts tucked up, holding two ducks in her apron with their wings extended; the water trickles out of their beaks;—a pretty conceit as I think it. He saw also my carved furniture and panels in the castle, which Asnois displayed with as much pride as if he had been their creator instead of being merely the man who paid for them. Maillebois expressed himself as astonished that I should bury my talent so far from Paris, and he also wondered that I should confine myself to work which showed chiefly observation and fidelity to nature; no grandeur or symbolism, nothing allegorical, both things which the critic considers essential to great sculpture. (A lord, you know, admires nothing that is not lordly.)

To which I replied with due respect, as became a country booby, that I knew my place, and was always careful to keep in it; that it would be