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 which was considered one of the greatest in the year, and some scattered specimens may probably yet be found. When the Anglo-Normans obtained the sway in this country, their priests introduced more pomp into the ceremonies of religion, and equally encouraged church music. There are some Latin hymns, with music of the time of King Stephen, still existing in the British Museum.

In the 12th century, and probably sooner, the monks composed legends in verse of the lives of the saints, &c. for the proper holidays; and at Christmas therefore religious pieces suited to the time were recited, accompanied with appropriate hymns or songs. Some of these spiritual songs came gradually to be introduced into private meetings, and others were composed for the same purpose of a lighter description. The theatrical exhibitions at this season of the year, also frequently contained songs incidental to the performances, which, as before stated, were at first subjects taken from the Scriptures.

The term carol appears originally to have signified songs intermingled with dancing, or a sort of divertisement; and it is used in that sense in “Le Roman de la Rose,” and by Chaucer and other old writers. It was afterwards applied to festive songs, and as these became most prevalent during Christmas, it has for a long time past designated (though not exclusively) those sung during that feast; but these should in strictness be distinguished from Christmas hymns, which are of a more solemn nature, although they are now generally confounded together under the name of carols.

In one of the Coventry pageants, being that of the Shearmen and Tailors, towards the beginning of