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 a play which taught the doctrine in powerful fashion. The play began with a scene in a London boarding-house. And it was a very discouraging scene. The persons in that boarding-house were not by any means desperate criminals, but one could almost have wished that they had been—they would have been so much more interesting. As it was, they were simply sordid, selfish persons, snapping and snarling about things to eat and about creature comforts—the sort of persons about whom one is tempted to say that they have no souls. The scene was a powerful picture of the hideousness of the commonplace. But presently the mysterious stranger of “the third floor back” entered upon the scene, and all was changed. He had no creed to offer, and no religion. But he simply engaged in conversation with everyone in that boarding-house, and discovered the one good point in every individual life. Somewhere in every life there was some one good thing—some one true human affection, some one noble ambition. It had long been hidden by a thick coating of sordidness and selfishness; its very existence had been forgotten. But it was there, and when it was brought to the light the whole life was transformed. Thus the evil that was in man was overcome by the good that was already there.

The same thing is taught in more immediately practical ways. For example, there are those who would apply it to the prisoners in our jails. The inmates of jails and penitentiaries constitute no doubt unpromising material. But it is a great mistake, it is said, to tell them that they are bad, to discourage them by insisting upon their sin. On the contrary, we are told, what ought to be done is to find the good that is already in them and build upon that; we ought to appeal to some latent sense of honor which shows that even criminals possess the remnants of our