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 P. 67, l. 1043. Orestes' last sentence is unfinished; as he was evidently going to leave behind him some word of bad omen, the Leader of the Chorus interrupts with words of comfort. As she mentions the "two serpents' heads" (1048) there is a cry of horror, and the "armed slayer" is seen appealing to the slave women to protect him. He has seen the shapes with snaky hair beginning to crowd upon him. The last touch of tragedy is in 1061 when he realizes that he is alone in his suffering ("You cannot see them; I alone can see") and knows that he "shall never rest again."

P. 69, ll. 1065–1076. The last chorus states with a clarity unusual in Aeschylus and more characteristic of Euripides, the exact problem of the Trilogy. First came the sin of Atreus against the children of Thyestes—though that too was an act of revenge; second, the punishment of that by Thyestes' son Aigisthos when he and Clytemnestra murdered Agamemnon; thirdly, the punishment of that second crime at Apollo's bidding by Orestes. Is Orestes the Third Saviour, or is his act only another link in the interminable chain of crime? If the Curse is now brought to sleep, is that because the House is really purified or because there is nothing left for the Curse to work upon? For the "Third Saviour," see my Four Stages of Greek Religion, p. 46 ff. "First comes this year with its pride and its pollution, then the winter that kills it, then the clean spring. First comes the crime, then the punishment, which is only another crime, then perhaps the redemption." Whether Orestes is a saviour or a final caster-down of the race is determined in the next play, the Eumenides.