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 what pierces Orestes' heart. In his next speech also he is bewildered. Not till l. 434, "All, all dishonour," does he lose all scruple in the storm of his passion.

P. 35, ll. 428–442, "Ho, Mother; ho, thou, Mother, mine enemy!" First Electra tells of the shameful secret burial: this rouses Orestes to fury. Then the Leader tells of something worse. The murderess had mutilated the body; cut off the dead man's feet so that he could not pursue, and his hands so that he could not lay hold of her. This would make Agamemnon helpless, and so leave Orestes without hope. The unexpected abomination breaks Orestes down.—This device of terrified murderers is a piece of primitive magic. It is attributed to Clytemnestra by Sophocles (Electra 445), and to the witch Medea by Apollonius Rhodius.

P. 38, l. 471, "The House hath healing," i.e. the House itself can cure bloodshed by bloodshed, sin by vengeance.

P. 40, l. 510, "Behold, ye have made a long and yearning praise": The dead must surely now be satisfied. Even if neglected for years he has now had such a lamentation as requites him for all.

P. 40, l. 515, "What power the Daemon hath which guardeth thee": The word Daemon has no connotation of evil in classical Greek.

P. 41, l. 517, "One dead and feeling not!": Not strictly consistent perhaps with the invocation scene, but psychologically right. The dead are past feeling unless something very extraordinary is done to make them feel. Then, who knows?

P. 41, l. 527, Clytemnestra's dream that she gave birth to a serpent is traditional. It is found both