Page:Chesterton - Twelve Types (Humphreys, 1902).djvu/94

Rh humour which steeps the stories of Falstaff and Uncle Toby is a cosmic and philosophic humour, a geniality which goes down to the depths. It is not superficial reading, it is not even, strictly speaking, light reading. Our sympathies are as much committed to the characters as if they were the predestined victims in a Greek tragedy. The modern writer of comedies may be said to boast of the brittleness of his characters. He seems always on the eve of knocking his puppets to pieces. When John Oliver Hobbes wrote for the first time a comedy of serious emotions, she named it, with a thinly-disguised contempt for her own work, 'A Sentimental Comedy'. The ground of this conception of the artificiality of comedy is a profound pessimism. Life in the eyes of these