Page:Chesterton - Twelve Types (Humphreys, 1902).djvu/39

Rh he cannot and will not change the beast into the fairy prince. Morris's disadvantage was that he was not honestly a child of the nineteenth century: he could not understand its fascination, and consequently he could not really develop it. An abiding testimony to his tremendous personal influence in the æsthetic world is the vitality and recurrence of the Arts and Crafts Exhibitions, which are steeped in his personality like a chapel in that of a saint. If we look round at the exhibits in one of these æsthetic shows, we shall be struck by the large mass of modern objects that the decorative school leaves untouched. There is a noble instinct for giving the right touch of beauty to common and necessary things, but the things that are so touched are the ancient things, the things that always to