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Rh quickly through a story. He enjoyed narrative as a sensation; he did not wish to swallow a story like a pill that it should do him good afterwards. He desired to taste it like a glass of port, that it might do him good at the time. The reader sits late at his banquets. His characters have that air of immortality which belongs to those of Dumas and Dickens. We should not be surprised to meet them in any number of sequels. Scott, in his heart of hearts, probably would have liked to write an endless story without either beginning or close.

Walter Scott is a great, and, therefore, mysterious man. He will never be understood until Romance is understood, and that will be only when Time, Man, and Eternity are understood. To say that Scott