Page:Chesterton - All Things Considered (Methuen, 1908).djvu/260

 the satire is merely local, it practically loses its point; just as the "Circumlocution Office" would lose its point if it were not supposed to be a true sketch of all Government offices; just as the Lord Chancellor in "Bleak House" would lose his point if he were not supposed to be symbolic and representative of all Lord Chancellors. The whole moral meaning would vanish if we supposed that Oliver Twist had got by accident into an exceptionally bad workhouse, or that Mr. Dorrit was in the only debtors' prison that was not well managed. Dickens was making game, not of places, but of methods. He poured all his powerful genius into trying to make the people ashamed of the methods. But he seems only to have succeeded in making people proud of the places. In any case, the controversy is conducted in a truly extraordinary way. No one seems to allow for the fact that, after all, Dickens was writing a novel, and a highly fantastic novel at that. Facts in support of Sudbury or Ipswich are quoted not only from the story itself, which is wild and wandering enough, but even from the yet wilder narratives which incidentally occur in the story, such as Sam Weller's description of how his father, on the way to Eatanswill, tipped all the voters into the canal. This may quite easily be (to begin with) an entertaining tarradiddle of Sam's own