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finished telling her story to Viéra Pavlovna on other days. She lived at Kirsánof's house about two years. The signs of her threatening sickness seemed entirely to have disappeared; but at the end of the second year, when spring came, consumption suddenly appeared in its full development. The doctor thought that if she went away, she might count on staving off her death for a long while. They decided to part. To occupy her time in sedentary employment was also sure destruction. It was necessary for her to look for occupation as a housekeeper, chambermaid, nurse-girl, or something of the kind, and with such a mistress as would not impose trying duties upon her, and in such a way that there should not be unpleasantness, and this was a very important thing. These conditions were hard to meet; but such a place was found. Kirsánof had acquaintances among rising artists. Through them Nástenka found a place as chambermaid with one of the actresses in the Russian theatre, an excellent woman.

As long as the actress remained on the stage, Nástenka was well satisfied to live with her. The actress was a refined woman, and Nástenka valued her place; it would be hard to find another like it. Nástenka became attached to her because she never had any disagreeable scenes with her, and the actress seeing this, became kinder than ever. Nástenka lived a quiet life there, and her disease ceased, or almost ceased, to develop. But the actress got married, renounced the stage, and made her home in her husband's family. And here, as Viéra Pavlovna had already heard before, the actress's father-in-law began to affront the chambermaid. Nástenka, let us suppose, was not subjected to temptation, but it occasioned a family quarrel; the former actress began to put the old man to shame; the old man felt the shame. Nástenka did not want to be the cause of a family disorder, and even if she had wanted, she could not